James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer’s 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer’s “Seconds.”

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The last of Leone’s ‘Man with no name’ trilogy is the longest and considered by many to be the best. By the time he made it, he was a much more assured and mature storyteller. And it shows. Join us — Pete Wright and Andy Nelson — as we finish the trilogy with 1966’s “The Good, the Bad and the Ugly.”

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