2000
Is this a case where the book and film stand as separate but equal entities? How great (and frightening) is Christian Bale as Patrick Bateman? Why didn’t this film get more awards notice? And who is this mysterious Davis anyway? Tune in to this week’s show to get answers to these questions and more!
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How well does this movie hold up on its 20th anniversary? How is the wuxia wirework captured so beautifully here still rippling through films made today? Should any of the actors here have been nominated for Oscars? Tune in to this week’s show to get these answers and more!
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When Ice Cube started up his own production company it made sense to leverage the first film he wrote to make a sequel. After all, most sequels are guaranteed to earn back a part of what their predecessors made. But without Chris Tucker and DJ Pooh, how does Cube handle taking Craig to the suburbs? Join us as we continue our series looking at the Friday franchise with Steve Carr’s 2000 film ‘Next Friday’.
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Does this feel like Spike Lee at his most Lee-ish? How effective is the satire in this film? Does Damon Wayans take his performance too far? Tune in to this week’s show for these answers and more.
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Ricardo Darín was pretty much born into acting. Coming from a pair of actor parents, he started on Argentine television when he was just a boy and grew up in the industry, finding lots of success in TV, film, and theatre. But it was his role as con artist Marcos in Fabián Bielinsky’s film Nueve Reinas — or Nine Queens — that really cemented his role as one of Argentina’s key leading men. Join us as we kick off a new series celebrating the work of the fantastic Ricardo Darín starting with Bielinsky’s 2000 film Nine Queens.
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Every story has many facets, but often the big story hides some of the smaller facets. The Australian film The Dish is a perfect example of this. The big story? Apollo 11’s successful mission to the moon. The small story? The Australians working at Parkes Observatory – a radio telescope in the middle of a sheep paddock – that was critical to the success of the mission and was our link to the footage we’ve all seen of Neil Armstrong’s first steps on the surface of the moon.
Join us – Pete Wright and Andy Nelson – as we kick off our “It’s Real Life, Jack” series with Rob Sitch’s 2000 film The Dish.
Listen NowThe Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, sound mixer Michael B. Koff joins us to talk about one of his favorite films, Guy Ritchie’s crime comedy thriller from the year 2000, “Snatch!”
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Phew. This film should be required viewing for all high school seniors. It’s brutal and intense, but also honest and powerful in its depiction of addiction. Join us — Pete Wright and Andy Nelson — as we finish up our series on the immensely gifted actress Ellen Burstyn with Darren Aronofsky’s 2000 film “Requiem for a Dream.”
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Joel and Ethan Coen must have a funny sense of humor, because the idea of making an “adaptation” of Homer’s ‘The Odyssey’ without having read it just seems like a bad idea when I picture anyone else doing it, but with them it seems like that’s part of the joke. They put enough of the story into this film to warrant it being credited as an adaption but certainly create a world of their own within the context of the film — 1930s Mississippi. And the Coens are masters of creating worlds within their films. Join us — Pete Wright and Andy Nelson — as we finish our Coen series with this fantastic 2000 film.
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Wong Kar-Wai’s sumptuous film “In the Mood for Love” premiered at the Cannes Film Festival in 2000 and, while it lost the Palm d’Or, it left an indelible impression on everyone who saw it. A story of a connection between a man and woman who learn their spouses are having an affair, the film deals with their growing friendship as they help each other come to terms with the infidelity. In the process, they also struggle with their own draw to each other. Join us — Pete Wright and Andy Nelson — as we discuss the first of our Listener’s Choice films.
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