The Next Reel • Season 12 • Series: The Twilight Saga • Retake

Retake: The Twilight Saga

December 18, 2022

This series is over. We’ve covered all five of the Twilight films based on all four of Stephenie Meyer’s supernatural romance novels. So what did we think of them? Did we survive? And whose team did we end up landing on?

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The Next Reel • Season 12 • Series: The Twilight Saga • Twilight


November 17, 2022

We’re digging into the franchise that kicked off the most important debate so far of the 21st Century – are you on Team Edward or Team Jacob? That’s right, we’re looking at Catherine Hardwicke’s adaptation of Stephenie Meyer’s vamp-romance. Tune in to hear our conversation about the 2008 film ‘Twilight.’

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Tony Manero

April 27, 2017

Looking at Tony Manero, the first film in what is dubbed as Pablo Larraín’s ‘unintentional trilogy,’ it’s clear that the director is not one to shy away from challenging his audience. But in doing so, is he pushing us away too?

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Wendy and Lucy

April 6, 2017

Kelly Reichardt has been called a minimalist film director, and if you’re comparing her to someone like Michael Bay or Steven Spielberg or the Hughes brothers, that certainly seems to be the case, at least based on her 2008 film Wendy and Lucy.

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August 18, 2016

When Fernando Meirelles showed his 2008 film Blindness to José Saramago, the author of the original book upon which it was based, Saramago loved it. Unfortunately for them, neither critics nor audiences connected with the allegorical film. It’s a tough watch with questionable character motivations and a fairly depressing world view. But some people still really love it, creating quite a variety of reactions to the film well worth talking about. Join us – Pete Wright and Andy Nelson – as we discuss the penultimate film in our Disease Films series, Meirelles’ Blindness.

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April 4, 2014

The J.J. Abrams team jumped into the found footage realm with a fun Godzilla-style monster movie that was kept under strict wraps while filming, to the point where excited audience members actually believed that it might have possibly been a live-action version of Voltron. “Cloverfield,” which, in the film, is the name the government gives to this top secret creature after-the-fact, is a unique creature feature that at once allowed for an intimate story set in a massive location. Join us — Pete Wright and Andy Nelson — as we discuss Matt Reeves’ 2008 film “Cloverfield.”

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March 28, 2014

For many audience members, found footage films are just an opportunity to film a horror story on the cheap and don’t bring anything to the table. There are films, however, that work to use the filmmaking style to their advantage in exploring different ways to tell their stories. Sure, it’s a conceit, but if you buy into it, it can make for a fun style of storytelling. Join us – Pete Wright and Andy Nelson — as we begin our Found Footage Series with John Erick Dowdle’s 2008 film “Quarantine.”

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November 15, 2013

David Mamet’s always one to put cons in his films, even when the film is a fight film taking place in the world of mixed martial arts. His 2008 film, “Redbelt,” feels like a mash-up of genres — a con film, a fight film, a film noir, a samurai film, an intimate character portrait. It’s a bit of all of these, and probably because it’s hard to pin it down, it couldn’t find its audience when it was released. Despite that, we wanted to include it in our David Mamet Directs series.

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Nick & Norah’s Infinite Playlist

October 18, 2013

Peter Sollett was an indie film director that got his ‘big’ Hollywood break with 2008’s Nick & Norah’s Infinite Playlist, a simple, honest sweet film that did well enough at the box office for him to get to continue his career as a director. This sweet film is the next in our fun-filled Horror-spectacular month of Romantic Comedy that we’re right in the middle of. It’s actually quite a fun series. Join us — Pete Wright and Andy Nelson — as we talk about this cute indie RomCom, possibly the first in our discussion that truly fits the genre.

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The Bank Job

June 15, 2013

There’s something interesting about heist films because, generally, you’re rooting for criminals to pull off a heist and criminals usually aren’t who you’d expect to be your protagonist. But watching Roger Donaldson’s 2008 heist film The Bank Job, based on the real Baker Street Robbery in London 1971, you can’t help but root for Terry Leather and his imperfect gang as they not only rob the bank and pull off one of the biggest scores in London’s history, but actually get away with it too. Maybe that’s because the people after them are all much worse, and maybe that’s because you can’t help but side with Terry played wonderfully by Jason Statham. Join us — Pete Wright and Andy Nelson — as we start our Heist series with this great movie.

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