Written and Directed by Film Board favorite Shane Black, we’re excited to examine what’s new and different about Predator as well as the appropriate level of homage to the classic-ly clever sci-fi action horror hybrid.

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A trailer rewind for a film that’s still in theaters!?! What’s going on? We finish up our Andy trailer pick trilogy and add a bonus episode to the Shane Black series. As a special treat Andy joins Steve to discuss The Nice Guys, his trailer pick from December 11, 2015. Andy and Steve discuss the strengths of the film and how it fits in with the themes that have been part of Shane Black’s films. Catch this one before it leaves theaters before you listen because they spoil this 70’s detective story.

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Shane Black was gone from the scene for a decade before his return as not just writer but also director with 2005’s “Kiss Kiss Bang Bang,” a comedy crime mystery that unjustly largely flew under everyone’s radar. It was mostly critically acclaimed, but with Warner Bros.’ modest release plans and minimal advertising, it didn’t have much of a chance. And we’re hoping to rectify that. Join us – Pete Wright and Andy Nelson – as we wrap up our Shane Black series with his directorial debut, “Kiss Kiss Bang Bang.”

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When New Line Cinema bought Shane Black’s spec script “The Long Kiss Goodnight” in 1994 for $4 million, it created a new record for the selling price of spec scripts for more than 10 years until 2005 when Terry Rossio’s and Bill Marsilii’s script “Déjà Vu” sold for $5 million. While Black walked away with a hefty paycheck, he had no idea that this sale and the subsequent underwhelming performance of the resulting movie would have a hand in the end of the halcyon days of spec script sales. The way that studios saw screenwriters changed. The way they approached projects changed. Some say the industry has changed for the better, some say for the worse. Whichever side you fall on the issue, Black found himself struggling to get work afterward. 

Join us – Pete Wright and Andy Nelson – as we continue our Shane Black series with Renny Harlin’s 1996 film “The Long Kiss Goodnight.”

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When Shane Black was paid $1.75 million for his spec script “The Last Boy Scout,” it was the most any screenwriter had been paid for their script up to that point. It wouldn’t take long before that record was broken, but the bar had been set – and more importantly, the expectations – for what Shane Black the screenwriter could deliver. Unfortunately, the production was riddled with problems and the film struggled to make its money back. It didn’t kill Black’s career, but it may have signaled the beginning of the end for the spec script boom happening in the early 90s. 

Join us – Pete Wright and Andy Nelson – as we continue our Shane Black series with Tony Scott’s 1991 action extravaganza “The Last Boy Scout.”

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Shortly after graduating from UCLA, Shane Black sold his first screenplay to Warner Bros. to the tune of $250,000. That script was “Lethal Weapon.” Black didn’t know it at the time, but he was on his way to changing the way Hollywood thought about big blockbuster action films and about screenwriters as well. Join us – Pete Wright and Andy Nelson – as we kick off our Shane Black series with Richard Donner’s 1987 film “Lethal Weapon.”

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