Steve Sarmento is an educator, writer, and film buff in Phoenix, Arizona. He’s been a part of the fabric of The Next Reel Film Podcasts since its inception. He has served to educate and illuminate through his regular participation in The Film Board and the two podcasts he developed and hosted, Trailer Rewind and Three of a Kind.
š Connect with Steve on Letterboxd
š Follow Steve on Flickchart
š Connect with Steve on LinkedIn
šļø Subscribe to The Film Board
šļø Subscribe to Trailer Rewind
JJ and Steve travel back to 1995. That time when landlines were ubiquitous and had yet surrendered to the internet, cell phones and texting. Although Landline is from 2017, it feels like a close relative to the mid-90s indie film scene that was bursting o
The Roads Not Taken is a challenging film to watch. The question is whether it is intended to be oblique or if it is such a personal film that audiences arenāt expected to fully access the intent and meaning behind it.
Tommy joins JJ and Steve in a discussion of The Endless, the story of two brothers that have escaped from a weird death cult. Is it a cult, or just a commune of people that like being off the grid? Is this a horror film or a sci-fi film? Can it be both?
When is a film that has scenes with Kirk and Spock not a Star Trek movie? Well . . . when itās a film about a young woman writing an epic screenplay for a Star Trek contest.
The War of Rohirrim is coming back, this time more animated. We watched Lavalantula and lived to tell the tale. Fear Street gets an R rating. And, Beatty is meddling with the primal forces of nature. Plus, our national nightmare is over ā we do some re-ra
Is there magical realism woven into the end of this film? Possibly. Will kids want to carve watermelon helmets after watching this? Maybe. Is this a film that the whole family can watch together and enjoy? Steve and JJ disagree. Listen in to find out why.
JJ and Steve are joined by Tommy to make sense of the puzzle that is The Goldfinch. Itās not that the story is complex or difficult to decipher. Itās not that thereās a mystery to solve. Itās just that it is very challenging to describe why this film does
QUIBI CORNER. Besides Pete, whoās asking for more Jack Reacher? Leverage is coming back, briefly, without Timothy Hutton. Thereās a deleted scene from Mitchellās vs. The Machines that is as great as the movie. Editing is hard. Is it too soon for a Ted Las
For some reason this film about building a 1000 mile underground fiber optic connection was also buried underground. In this story about an attempt to set a speed record in round trip communications JJ and Steve find that itās the back half of the story
As he began watching some Oscar nominated short films, their themes grabbed Steveās attention. These films speak to something that is strongly connected to America. Perhaps the lens we are viewing films through lately is one that comes from our nation’s attempt to define ā or some would say redefine ā who we are. The art a nation creates reflects the conflicts within it. Welcome to America: Article 2.