
Production Designer Roger Fires on The Exorcist
Production designer Roger Fires—Nobody, Violent Night, Psycho Killer—joins Andy and Pete to talk about The Exorcist: the film that terrified him as a child and captivated him as an adult.
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Production designer Roger Fires—Nobody, Violent Night, Psycho Killer—joins Andy and Pete to talk about The Exorcist: the film that terrified him as a child and captivated him as an adult.

HOWDY! This is the introductory episode of The Exorcist Minute! Here you meet your humble hosts as we talk a bit about our experiences with THE EXORCIST and from there we dive into the first minute of the film!

It’s pretty rare for a film to come along that has such a visceral effect on people when they’re watching it where they faint or throw up because it’s so overwhelming. When “The Exorcist” was released just after Christmas in 1973, it had that effect. People flocked to it in droves and seemed to have these heightened reactions to it, whether because they were so scared or they felt it was truly evil. It’s a fascinating case study in how religion and horror draws people to the theatre. Join us — Pete Wright and Andy Nelson — as we continue our Ellen Burstyn series with William Friedkin’s “The Exorcist.”

It’s our ONE YEAR ANNIVERSARY, everyone! That’s right, we’ve been doing this podcast for one year now, and what better way to celebrate than with the next in our Great Car Chase series—William Friedkin’s 1971 Best Picture Oscar-winner, “The French Connection.”