For all you proper film enthusiasts who would like to peruse the films of TruStory FM’s entertainment podcasts by release decade. Get ready for a firehose of film history in these here stacks.
We continue our Golden Jubilee series exploring 1975’s global cinema with Jeanne Dielman, debating how three hours of domestic routine builds to cinema’s most earned ending.
We kick off our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series, celebrating 50 years of incredible, groundbreaking films. We start things off with Stanley Kubrick’s Barry Lyndon.
Join us for this member bonus episode, part of our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series, discussing Arthur Penn’s neo-noir film Night Moves, starring Gene Hackman.
We wrap up our year-long Roger Corman member bonus series ending on a fantastically fun high note! Join us as we have a conversation about Allan Arkush’s 1979 punk rock, music-filled, laugh-riot of a film, Rock ‘n’ Roll High School.
We continue our member bonus Roger Corman series with Cannonball (1976). From Chargers to Panteras, star cameos to singing mobsters, speed isn’t everything.
We continue our Car Racing series with a conversation about Steve McQueen’s passion project, a film he spent at least five years trying to make with several different directors. That’s right, it’s Lee H. Katzin’s 1971 film Le Mans.
We head to the deserts to join Jesus, Judas, Mary, Pontius, Herrod, and more as we take on Norman Jewison’s 1973 film Jesus Christ Superstar with our guest, editor Lucy Donaldson, because it’s one of her favorite movies.
We continue our monthly member bonus series looking at Roger Corman. This month, we return to the women-in-prison subgenre and take a trip to the Philippines where we take on Jack Hill’s The Big Doll House.
We return to our member bonus series celebrating the works of Roger Corman. This month, our members voted on Gerardo “Gerry” de León’s 1971 women in prison sexploitation film Women in Cages.
We continue our Roger Corman member bonus series with a look at the film he produced for first-time director Paul Bartel, a bloody comedy satire on politics, fandom, the media, and of course killer car races – it’s the 1975 film Death Race 2000.