With over 25 years of experience in film, television, and commercial production, Andy has cultivated an enduring passion for storytelling in all its forms. His enthusiasm for the craft began in his youth when he and his friends started making their own movies in grade school. After studying film at the University of Colorado Boulder, Andy wrote, directed, and produced several short films while also producing indie features like Netherbeast Incorporated and Ambush at Dark Canyon.
Andy has been on the production team for award-winning documentaries such as The Imposter and The Joe Show, as well as TV shows like Investigation Discovery’s Deadly Dentists and Nat Geo’s Inside the Hunt for the Boston Bombers. Over a decade ago, he started podcasting with Pete and immediately embraced the medium. Now, as a partner at TruStory FM, Andy looks forward to more storytelling through their wide variety of shows.
Throughout his career, Andy has passed on his knowledge by teaching young minds the crafts of screenwriting, producing, editing, and podcasting.
Outside of work, Andy is a family man who enjoys a good martini, a cold beer, a nice cup o’ joe. And always, of course, a great movie.
🌐 Andy Nelson on IMDb
🌐 Connect with Andy on Letterboxd
🌐 Connect with Andy on Instagram
🌐 Connect with Andy on Facebook
🌐 Connect with Andy on LinkedIn
Andy has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Andy has been a panelist right here.
Hayao Miyazaki began his career with television and it was the show “Lupin III” that gave him the chance to direct both for the small screen as well as for the big screen with the second story about Lupin the Third in 1979. Join us — Pete Wright and Andy Nelson — as we begin our short Hayao Miyazaki series with his first theatrical feature film, Lupin the Third: The Castle of Cagliostro.
Stephen King may not like the film version of ’Children of the Corn,’ but considering it spawned 7 sequels and a remake, we’d like to think that he’s at least making a decent profit on his short story from 1977. This movie started careers for Linda Hamilton, Courtney Gains, John Franklin and Peter Horton and has created quite the cult following, no matter what King — or we — think of it. Join us — Pete Wright and Andy Nelson — as we wrap up our Naughty Children series with this movie.
Jack Clayton’s 1961 film “The Innocents” really feels like the first in this series that’s got real scares in it, and scares that still hold up today. Martin Scorsese even put it on his list of 11 most scary films. And a lot of that is because of the atmosphere Clayton and his screenwriters (mostly Truman Capote) created with this adaptation of Henry James’ “The Turn of the Screw.” Join us — Pete Wright and Andy Nelson — as we continue our Naughty Children series with “The Innocents.”
John Wyndham’s 1957 novel “The Midwich Cuckoos” is the foundation for Wolf Rilla’s 1960 film “Village of the Damned.” It’s hard to say which title may actually be worse, but the story in both seems to work for most people. It’s a decent sci-fi story that, while dated, creates an interesting scenario with all the women in a village being impregnated at the same time by some alien force. Even with that interesting scenario, however, for every element that works in favor of the film, there seems to be another working against it. At least with today’s eyes. Join us — Pete Wright and Andy Nelson — as we continue our Naughty Children series with Rilla’s 1960 film “Village of the Damned.”
It’s October, which means it’s time for some scares! This year, we’re celebrating with those lovable little children who just are downright bad. Our first film of the series gives us a young girl who turns out to be a malicious killer, but only because it’s her way to get the things that she wants. Join us — Pete Wright and Andy Nelson — as we kick off our Naughty Children series with Mervyn LeRoy’s 1956 classic “The Bad Seed.”
Bong Joon-ho’s “Snowpiercer” made waves upon its US release because its distributor decided to give it a limited theatrical release the same day they released it digitally. It was a risky move. By shutting this window, “Snowpiercer” could have left theatre owners in the cold and been deemed not worth watching because of the “straight to video” tarnish. But it found an audience in both formats and became a surprise hit. Join us — Pete Wright and Andy Nelson — as we finish our Bong Joon-ho series with his 2013 film “Snowpiercer.”
Bong Joon-ho’s follow-up feature to his massive success “The Host” was about a murder and the person trying to figure out what happened. To some people, it sounded awfully like his second film “Memories of Murder” and they were afraid he was returning to the safety of familiar territory. But 2009’s “Mother” ended up being a very different film and one which is hard to forget. Join us — Pete Wright and Andy Nelson — as we continue our Bong Joon-ho series with “Mother.”
Bong Joon-ho’s third film, “The Host,” ended up becoming the highest grossing South Korean film of all time straight out of the gate with it playing on a record number of screens in its home country — it made the South Korean record books with its box office performance during its opening weekend alone. Quentin Tarantino loves it. Harry Knowles loves it. But how do we feel about it? Join us — Pete Wright and Andy Nelson — as we start our Bong Joon-ho series with 2006’s “The Host.”
When a choice is referred to as a “Sophie’s Choice” most people understand that the choice must be an impossibly difficult one between two unbearable options. But if it wasn’t for Meryl Streep’s performance in the 1982 film directed by Alan J. Pakula, that phrase wouldn’t resonate the way it does. Join us — Pete Wright and Andy Nelson — as we conclude our Meryl Streep series with the film for which she received her fourth Oscar nomination and first win as Best Actress, “Sophie’s Choice.”
Meryl Streep received her first nomination for Best Actress in a film that one would think had been lost in time if not for the recent Criterion Collection release — Karel Reisz’s 1981 film “The French Lieutenant’s Woman.” She lost to Katherine Hepburn in “On Golden Pond,” which makes sense, but Streep’s performance is still a fascinating one. Join us — Pete Wright and Andy Nelson — as we continue our Meryl Streep series with Reisz’s film.