With over 25 years of experience in film, television, and commercial production, Andy has cultivated an enduring passion for storytelling in all its forms. His enthusiasm for the craft began in his youth when he and his friends started making their own movies in grade school. After studying film at the University of Colorado Boulder, Andy wrote, directed, and produced several short films while also producing indie features like Netherbeast Incorporated and Ambush at Dark Canyon.
Andy has been on the production team for award-winning documentaries such as The Imposter and The Joe Show, as well as TV shows like Investigation Discovery’s Deadly Dentists and Nat Geo’s Inside the Hunt for the Boston Bombers. Over a decade ago, he started podcasting with Pete and immediately embraced the medium. Now, as a partner at TruStory FM, Andy looks forward to more storytelling through their wide variety of shows.
Throughout his career, Andy has passed on his knowledge by teaching young minds the crafts of screenwriting, producing, editing, and podcasting.
Outside of work, Andy is a family man who enjoys a good martini, a cold beer, a nice cup o’ joe. And always, of course, a great movie.
🌐 Andy Nelson on IMDb
🌐 Connect with Andy on Letterboxd
🌐 Connect with Andy on Instagram
🌐 Connect with Andy on Facebook
🌐 Connect with Andy on LinkedIn
Andy has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Andy has been a panelist right here.
Does this film work better than last week’s Tentacles? How well does Joe Dante’s trademark horror-comedy come through in this early film of his? What’s more terrifying – piranhas or octopuses – and should we really be afraid of them in real life? Tune in to this week’s show to get answers to these questions and more!
In the realm of rip-offs, how does this one hold up? Can an animal attack movie succeed without a strong story or protagonist? Does anyone buy that John Huston and Shelley Winters are brother and sister? Tune in to the show this week to get answers to these questions and more!
How does this fit in with Bong Joon-Ho’s other ‘message’ movies? Why does the structure here work so well? And what is a scholar’s rock exactly and why is that important to the story? Tune in to this week’s show to get answers to these questions and more!
Why does the black-and-white cinematography work so well in capturing a sense of Cuarón’s own memories? How does the ‘upstairs/downstairs’ nature of this story work when intersecting with the macroscopic view of Mexico City in the 70s? How well do the first time actors perform in the film? Tune in to this week’s show to get answers to these questions and more!
Does this film provoke in the ways that other Michael Haneke films do? Who’s the better actor – Jean-Louis Trintignant or Emmanuelle Riva? Does this film immediately fall into the camp of ‘films to watch just once’ because of its subject matter? Tune in to this week’s show to get answers to these questions and more!
How did Clint Eastwood end up directing a Japanese language film about a battle during WWII? What does this film say about Japanese culture and its rituals, notably those during war? How strong is this cast led by Ken Watanabe? Tune in to this week’s show to get answers to these questions and more.
How well does this movie hold up on its 20th anniversary? How is the wuxia wirework captured so beautifully here still rippling through films made today? Should any of the actors here have been nominated for Oscars? Tune in to this week’s show to get these answers and more!
Can a comedic film set during the Holocaust work? Does Benigni pull off the hat trick everyone thought he did back in 1998? Why is it hard to make a film that’s a fable? Tune in to this week’s show to get answers to these questions and more!
Does a simple yet adorable story full of love and passion like this deserve a Best Picture nomination? Why is the story of getting this film made so heartbreaking? And how does the Miramax marketing machine fit into this film’s success? Get answers to these questions and more by tuning into this week’s show!
Is this film built for regular filmgoers or specifically Ingmar Bergman fans? Is the color red brilliantly used or overused? How good are the performances in the film? Tune in to this week’s show to get answers to these questions and more!