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2002 Film Independent Spirit Awards Best Cinematography Nominees

Each episode of The Next Reel Film Podcast is a part of a series or collection of films brought together by time, idea, or contributor. Looking to build a great watchlist? You can’t go wrong with starting on a Next Reel Series.

The Next Reel • Season 13 • Series: 2002 Film Independent Spirit Awards Best Cinematography Nominees • Mulholland Dr.
The Next Reel Film Podcast

Mulholland Dr.

We wrap up our series looking at the 2002 Film Independent Spirit Awards nominees for best cinematography with a conversation about David Lynch’s fascinating Hollywood story, “Mulholland Dr.”

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The Next Reel • Season 13 • Series: 2002 Film Independent Spirit Awards Best Cinematography Nominees • Hedwig and the Angry Inch
The Next Reel Film Podcast

Hedwig and the Angry Inch

We continue our series exploring the best cinematography nominees for the 2002 Film Independent Spirit Awards, this time looking at John Cameron Mitchell’s first film Hedwig and the Angry Inch. Tune in!

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The Next Reel • Season 13 • Series: 2002 Film Independent Spirit Awards Best Cinematography Nominees • The Deep End
The Next Reel Film Podcast

The Deep End

We continue our series looking at the 2002 Film Independent Spirit Awards Best Cinematography Nominees with a conversation about The Deep End adapted and directed by Scott McGehee and David Siegel. Muddled crime drama or a successful film? Tune in!

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The Next Reel • Season 13 • Series: 2002 Film Independent Spirit Awards Best Cinematography Nominees • The American Astronaut
The Next Reel Film Podcast

The American Astronaut

We kick off our series looking at the 2002 Film Independent Spirit Awards Best Cinematography Nominees, starting with Cory McAbee’s quirky scifi western musical “The American Astronaut.” Strange little film but one that immediately captivated both of us. Tune in!

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The Next Reel • Season 13 • Series: 2002 Film Independent Spirit Awards Best Cinematography Nominees • Spoiled. Rotten? Twist Endings • Memento
The Next Reel Film Podcast

Memento

How great are Guy Pearce, Carrie-Anne Moss and Joe Pantoliano in “Memento?” Does the simultaneous forward and backward telling of the story work for us or does it feel like a stunt? Why did Nolan and his brother Jonathan push for this to be in the Original Screenplay category at the Oscars? Tune in to this week’s show to get answers to these questions and more!

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