Each episode of The Next Reel Film Podcast is a part of a series or collection of films brought together by time, idea, or contributor. Looking to build a great watchlist? You can’t go wrong with starting on a Next Reel Series.
We return to our Mission: Impossible series for a member bonus episode that’s getting released to everyone as a way to celebrate this fantastic film and franchise. Enjoy!
We continue our member bonus Roger Corman series with Cannonball (1976). From Chargers to Panteras, star cameos to singing mobsters, speed isn’t everything.
We continue our monthly member bonus series looking at Roger Corman. This month, we return to the women-in-prison subgenre and take a trip to the Philippines where we take on Jack Hill’s The Big Doll House.
We continue our members-only season-long Roger Corman series with a film he produced – Penelope Spheeris’ brilliant 1983 film Suburbia. It’s a powerful glimpse into disaffected punk youth in the early 80s.
We return to our member bonus series celebrating the works of Roger Corman. This month, our members voted on Gerardo “Gerry” de León’s 1971 women in prison sexploitation film Women in Cages.
We continue our season-long member bonus Roger Corman series with a look at one of the eight Edgar Allan Poe adaptions he did with American International Pictures, their incredibly successful film The Pit and the Pendulum.
We continue our member bonus series celebrating Roger Corman with one of the many women-in-prison films he distributed. We’re looking at Jonathan Demme’s first film Caged Heat from 1974.
We continue our member bonus Roger Corman series with a look at his delightful horror comedy with Dick Miller playing the lead – it’s his 1959 film “A Bucket of Blood.”
We kick off our member bonus celebration of Roger Corman, which will run all of season 14. Our members voted, and the first conversation is a look at Corman’s 1960 film “The Little Shop of Horrors.”
We wrap up our member bonus series on the 1993 Academy Award Best Film Editing Nominees with a conversation about Clint Eastwood’s return to form with his revisionist western ‘Unforgiven.’