Each episode of The Next Reel Film Podcast is a part of a series or collection of films brought together by time, idea, or contributor. Looking to build a great watchlist? You can’t go wrong with starting on a Next Reel Series.
We kick off our 1993 Academy Awards Best Editing series for our member bonus episodes with a conversation about Paul Verhoeven’s sexy, sleazy, mysterious erotic thriller “Basic Instinct.” It may have some issues, but it holds up extremely well. Tune in!
The members have spoken and decided that, instead of a good film with real possible options for an alternate 1998 NAACP Image Award for Outstanding Lead Actress, we should talk about Mark A.Z. Dippé’s Spawn, based on Todd MacFarlane’s comics. Poor Theresa Randle. Still, it makes for a fun conversation!
Our members voted and for January 2024, we’re talking about Batman Forever as a potential contender for the 1996 Golden Raspberry Awards nominations for worst director. But does Joel Schumacher warrant that or did he deliver exactly what everyone wanted? And how does this movie hold up today?
It’s our December Member Bonus Episode, and the members have spoken — we’re adding Joel Schumacher’s 1987 teen vampire horror comedy “The Lost Boys” to the list of films that coulda been a contender at the 1988 Academy Awards nominations for Best Visual Effects. It’s a fun one to return to, and has a lot more going on than we realized when we first saw it in the 80s. Tune in!
For our November member bonus episode, we add a ‘what if?’ to our run of 1976 Hugo Awards Best Dramatic Presentation Nominees series, talking about Bryan Forbes’ 1975 film The Stepford Wives. How does it compare to the nominees?
We wrap up our member bonus episode series looking at the three films nominated for the National Society of Film Critics Awards for Best Cinematography in 1969 with a chat about Sam Peckinpah’s The Wild Bunch. It’s a brilliant film and one we’re thrilled to talk about.
We return to the 1969 National Society of Film Critics Awards nominee list for Best Cinematography for this month’s member bonus episode. Specifically, we’re talking about Haskell Wexler’s narrative feature directorial debut “Medium Cool.” Taking place around Chicago during the 1968 Democratic National Convention, it has a lot to say about politics, race relations, and the media. Still, that last act leaves us scratching our heads… Tune in!
For this month’s member bonus episode, we’re kicking off a three-part series looking at the nominees of the 1969 National Society of Film Critics Awards for Best Cinematography. First up, it’s Lindsay Anderson’s 1968 film “if…”. Fascinating film to talk about, interesting usage of both black-and-white and color cinematography. Tune in!
We wrap up our conversations about Ethan Hunt and the Mission: Impossible franchise – at least until next summer – with a deep (and spoilery) discussion about Christopher McQuarrie’s new film Mission: Impossible – Dead Reckoning Part One. It’s a great new entry to the franchise, even if it doesn’t feel as strong as the past few films. Tune in!
Our June member bonus episode brings us to the conclusion of ‘Fast Eddie’ Felson’s story as we return to the world of billiard halls and hustlers with Martin Scorsese’s “The Color of Money” from 1986. How’s Paul Newman? What about young Tom Cruise? Does it work as a followup to “The Hustler”? Tune in!