Each episode of The Next Reel Film Podcast is a part of a series or collection of films brought together by time, idea, or contributor. Looking to build a great watchlist? You can’t go wrong with starting on a Next Reel Series.
Did the stage musical need to have a film remake? How do Nathan Lane and Matthew Broderick at creating unique performances? Do Will Ferrell and Uma Thurman belong here? Tune in to this week’s show to find out these answers and more.
How well do Zero Mostel and Gene Wilder work with each other? Does the musical element hold up? How about the comedy? Tune in to this week’s episode to find out these answers and more!
Does the pairing of Brosnan and Russo match the chemistry of McQueen and Dunaway in the original? How does the heist hold up? And what’s cooler – dune buggie or glider? Tune in to this week’s show to get these answers and more.
How well do Steve McQueen and Faye Dunaway work together? What was the inspiration for the multi-screen images? Has there ever been a sexier game of chess played? Tune in to this week’s show to get answers to these questions and more!
“The Departed,” Martin Scorsese’s 2006 remake of “Infernal Affairs,” is the film he finally won his Oscar for. It’s a strong crime film and is definitely a Scorsese film with incredible camera work and intense violence, but is it as good as the original? Join us – Pete Wright and Andy Nelson – as we wrap up our Movies & Their Remakes series with Scorsese’s “The Departed.”
“Infernal Affairs” may have won seven out of the sixteen Hong Kong Film Awards it was nominated for in 2002, including beating Zhang Yimou’s “Hero” as Best Film, but the majority of Americans probably didn’t hear of it until it was remade by Martin Scorsese four years later as “The Departed.” And while that’s a shame that it took so many people so long to discover this 2002 Hong Kong gem by directors Andrew Lau and Alan Mak, it’s great that they did discover it. Join us – Pete Wright and Andy Nelson – as we continue our Movies & Their Remakes series with Lau’s and Mak’s crime thriller “Infernal Affairs.”
In the early 80s, Peter Hyams was trying to get a western made. Unfortunately for him, no studio was interested in the genre right then; as far as they were concerned, westerns were dead. Then Hyams made the realization that westerns were still alive but that they’d been transposed to the world of sci-fi. And with that, he wrote “Outland.” Join us – Pete Wright and Andy Nelson – as we continue our Movies and Their Remakes series with the ‘remake’ of “High Noon,” Hyams’ 1981 film “Outland.”
“High Noon” is often cited as one of the greatest westerns ever made, and a lot of that praise is likely because it was so different from other westerns at the time. It was bleak and black-and-white. There was hardly any action in it. And it was a character piece. This story didn’t have to be set in the old west – it could work in many genres (as we’ll explore next week). It’s more about the protagonist and his struggle to stay true to what he believes in the face of incredible odds. Join us – Pete Wright and Andy Nelson – as we kick off our Movies and Their Remakes series with Fred Zinnemann’s 1952 classic “High Noon.”