The Chapter
Chapter two of The Chronicle of Young Satan is where we finally meet our narrator and his two friends — Theodore Fisher, Nikolaus Bauman, and Seppi Vohmeier, three boys with the run of a medieval Austrian castle town who spend their days swimming, boating, and smoking. They’re sitting on their favorite hilltop in the woods when a handsome, pleasant stranger appears out of nowhere, lights their pipes without being asked, and within minutes has them completely and helplessly enchanted. His name, offered without drama, is Satan. His uncle is the one you’re thinking of.
The Conversation
We dig into what makes this version of the devil so unsettling and so fresh. Young Satan — who asks to be called Philip Traum in public, Traum being the German word for dream — isn’t scheming or tempting or brooding. He’s just utterly, cosmically indifferent to human life, in a way that reads less like evil and more like a force of nature that happens to be chatting with you. He produces fruit in the boys’ pockets without flourish, makes clay animals and then a whole tiny village, brings them to life, and then smashes them when they get noisy — wiping the clay off his fingers on his handkerchief and continuing the conversation without missing a beat. The boys are horrified. Satan literally cannot understand why.
What really lands is the passage where the boys physically cannot leave even after watching him kill people. Twain writes that Satan’s voice is like a fatal music, that the boys are drunk with the joy of being near him, that they feel ecstasy from the touch of his hand. It reads less like a magic spell and more like the scariest version of charisma imaginable — not nefarious, not even intentional, just what he is. Meanwhile, Twain has him list humanity’s faults in a tone of mild, detached curiosity, the way a person might observe bricks or manure. And at the end of the list, delivered with special disdain: the moral sense. File that one away.
The chapter ends with Father Peter — the good disgraced priest from chapter one — finding a wallet filled with gold coins right where Satan was standing, the boys unable to tell him where it came from, and Father Peter doing the most scrupulously honest thing possible with unexpected money. Whether that’s enough to protect him from what’s coming is a different question.
We Also Discuss
- The astrologer: a character who appears in the Paine-Duneka fraud version but not in Twain’s original manuscript, apparently invented to replace Father Adolf as Father Peter’s antagonist, and why that change makes no sense and also requires you to accept that a bishop would take the word of a wizard
- Felix Brandt, the oldest serving man in the castle, who taught the boys to smoke, drink coffee, and not be afraid of ghosts — because ghosts are just lonely and want compassion — and once saw an incubus, which raises questions nobody asked him to answer
- The Wild Huntsman, Odin’s court, and how supernatural legends of the 18th century are inevitably colored by the author’s own time period no matter how hard they try
- The American tall tale tradition of Satan leaving gold in the ground and letting human greed do the rest, from The Devil and Tom Walker through All That Money Can Buy and now here
- The moral sense: what it is, why young Satan says it with contempt, and why Twain is going to keep coming back to it
Chapter three is next week. Father Peter has gold he didn’t earn, a boy named Philip Traum is wandering around Aseldorf, and nobody suspects a thing.
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