In this captivating episode of Cinema Scope, host Andy Nelson takes listeners on a thrilling journey through the rebellious and groundbreaking world of the French New Wave. Joined by esteemed guests Richard Neupert, film professor and author of A History of the French New Wave Cinema, and Kelley Conway, film studies professor and author of Agnès Varda, the trio delves into the audacious techniques, existential themes, and auteur-driven visions that characterized this revolutionary movement.
The Birth of the French New Wave
The French New Wave, which emerged in the late 1950s and early 1960s, shattered cinematic conventions and redefined the art of filmmaking. Richard and Kelley provide fascinating insights into the cultural and historical context that gave rise to this bold new era of cinema. Moreover, they discuss the vibrant film culture in post-World War II France, the influence of influential critics like André Bazin, and the government’s role in supporting the film industry.
Filmmakers and Influences
Throughout the episode, Richard and Kelley explore the diverse range of filmmakers associated with the French New Wave. From the core group of critics-turned-directors like François Truffaut, Jean-Luc Godard, and Claude Chabrol, to the Left Bank figures such as Alain Resnais, Agnès Varda, and Chris Marker. Furthermore, they highlight the movement’s influences, including the innovative works of Jean-Pierre Melville, Robert Bresson, and Jacques Tati.
Defining Characteristics and Legacy
Andy, Richard, and Kelley delve into the defining characteristics of French New Wave films, such as shooting on location, experimenting with film style, and embracing a youthful, authentic approach to storytelling. Additionally, they discuss how these filmmakers challenged the old guard of French cinema, rejecting the “cinema of quality” in favor of a more raw, honest, and personal form of expression.
The conversation also touches on the enduring legacy of the French New Wave and its impact on contemporary cinema. Richard and Kelley share anecdotes about how the movement has inspired filmmakers around the world, from the Brazilian Cinema Novo to the American independent film scene.
By the end of this engaging and informative episode, listeners will have a deep appreciation for the French New Wave and its place in film history. Whether you’re a longtime cinephile or a curious newcomer to the movement, this episode of Cinema Scope is a must-listen. So sit back, relax, and immerse yourself in the daring and innovative world of the French New Wave.
About Kelley
Kelley Conway holds a PhD in Cinema and Television Studies from UCLA and is Professor in the Department of Communication Arts at the University of Wisconsin-Madison. Specializing in French cinema, she is the author of Chanteuse in the City (California, 2004), a study of popular music in 1930s French film, and Agnès Varda (Illinois, 2015), an analysis of the legendary director’s modes of production and creative process. She and Professor Eric Hoyt are Principal Investigators of the Global Cinema History Task Force of the Media History Digital Library. She is also co-editor of the forthcoming volume Global Movie Magazine Networks, out in January 2025 from University of California Press, which brings together 20 essays by film historians around the world who have researched film magazines.
About Richard
Richard Neupert received his PhD from the University of Wisconsin, including a year in Paris. He coordinated Film Studies at the University of Georgia for 30 years and is President of the Board for the non-profit Ciné movie theater in Athens. He is the author of A History of the French New Wave and translated Michel Marie’s The French New Wave: An Artistic School. His most recent book is French Film History: 1895-1945.
Film Sundries
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- Richard’s books:
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