The Weight of Water
We continue our Journalists series with a dip back into Kathryn Bigelow’s body of work. This time, it’s her 2002 film ‘The Weight of Water.’ It didn’t get much praise on its initial release. What did we think of it? Tune in!
Discover the remarkable film directors featured on TruStory FM’s entertainment podcasts. Learn about their creative journeys and lasting contributions to cinema through each of these archive episodes.
We continue our Journalists series with a dip back into Kathryn Bigelow’s body of work. This time, it’s her 2002 film ‘The Weight of Water.’ It didn’t get much praise on its initial release. What did we think of it? Tune in!
Join us — Pete Wright and Andy Nelson — as we close up this round of our Kathryn Bigelow series with her film from last year, Detroit.
Join us – Pete Wright and Andy Nelson – as we continue our Kathryn Bigelow series with her 1991 film Point Break.
Join us — Pete Wright and Andy Nelson — as we kick off the second part of our Kathryn Bigelow series with her 1987 film Near Dark.
Divisive before it even opened, Kathryn Bigelow’s film Zero Dark Thirty depicts, in a very procedural way, the steps it took to find Bin Laden after the 9/11 attacks.
Kathryn Bigelow made a big change in her career direction as a film director when she made 2009’s “The Hurt Locker.” While it still had the adrenaline action sensibilities she displayed in her prior films, this film was less of a Hollywood action movie and more of an honest portrayal of soldiers in a war. This week on The Next Reel, join us — Pete Wright and Andy Nelson — as we delve into Bigelow’s independent war film that made her the first woman to win a Best Director Oscar.
Based on a dream James Cameron had in 1985, Strange Days came out in 1995 and strangely took place only 4 years in the future — during the 48 hours leading up to the year 2000. Cameron’s ex-wife Kathryn Bigelow, helmed the film, bringing her skills at directing action to the forefront to create what at the time was a wild, mind-bending, noirish tale that looked at people in LA dealing with the latest “drug” craze — living other people’s experiences through futuristic recording devices.