Minute 16 – We Put First Born On A Bagel!
On this episode: Paging Dr. Freud… The elevator doors are a metaphor! A LITERAL bundle of Joy! A little bit of Waymond in my life. Never realized Peter Griffin was a verse-jumper…and more!
On this episode: Paging Dr. Freud… The elevator doors are a metaphor! A LITERAL bundle of Joy! A little bit of Waymond in my life. Never realized Peter Griffin was a verse-jumper…and more!
Lester and Kynan attempt to explain, evaluate, enlighten and elucidate the Academy Award-winning film, Everything Everywhere All At Once, minute by multiversal minute! Now, you may only see a couple of chuckleheads trying to talk about a movie and getting distracted by all the cool references and easter eggs…but we see a story! Follow us through the multiverse as we explore each individual minute of this amazing film!
On this first episode: We start the movie with FIVE BAGELS….and two colons. Are you the Gozie…or the Agbo? Did YOU spot the raccoon? Come on, Barbie, let’s go party! …and more!
This is it. This is the beginning. And by the end we’ll discover the meaning of life itself.
Whenever you think of two chuckleheads going on tangents or bad puns or excessive, exhaustive, obscene amounts of research into questions you never thought to ask, think: Banana for Scale with Lester Ryan Clark and Kynan Dias—show your support today!
Lester is an actor, writer, model, and teacher. Currently based in Los Angeles, he got his start doing community theater in his hometown of Las Vegas. After graduating from UNLV, he moved to Japan, where he continued performing in local theatre productions (some entirely in Japanese!) and wrote and performed his own short films and plays.
Kynan Dias is an actor, award-winning screenwriter, and educator who has been teaching at UNLV FILM since 2008. His films often blend humor and tragedy, and he co-hosts a series of meticulously researched, yet comedic film history podcasts on the TruStory.FM network. Kynan’s research interests include animation history, studio system economics, queer coding in classic film, and highlighting previously unsung collaborators within major film authors’ historiographies.