The Next Reel Film Podcast
The Gold Rush
We wrap up our journey through the last 100 years of film and our Cinema Centennial: 1925’s Pioneering Visions series with Charlie Chaplin’s fun film The Gold Rush.
December 18, 2025
For all you proper film enthusiasts who would like to peruse the films of TruStory FM’s entertainment podcasts by release decade. Get ready for a firehose of film history in these here stacks.
We wrap up our journey through the last 100 years of film and our Cinema Centennial: 1925’s Pioneering Visions series with Charlie Chaplin’s fun film The Gold Rush.
We continue our Cinema Centennial: 1925’s Pioneering Visions series with a fantastic dose of comedy following a man who has to marry by 7pm in order to get his inheritance. It’s Buster Keaton’s Seven Chances.
We continue our Cinema Centennial: 1925’s Pioneering Visions series with the movie with possibly the most confusing history of releases, Rupert Julian’s adaptation of Gaston Leroux’s classic novel “The Phantom of the Opera.”
The members voted and decided that for this month, we should discuss Fred Niblo’s silent classic, the 1925 Ben-Hur: A Tale of the Christ, which holds its ground against Heston’s version for sure—particularly in the chariot race.
We continue our Cinema Centennial: 1925’s Pioneering Visions series with King Vidor’s The Big Parade, a groundbreaking WWI epic that shocked 1925 audiences with its intimate portrait of soldiers’ lives before confronting the brutal realities of modern warfare.
We kick off our Cinema Centennial: 1925’s Pioneering Visions series, looking at amazing films that are having their 100th birthday this year, and we’re starting it off with a big one: Sergei Eisenstein’s Battleship Potemkin!
Is Douglas Fairbanks as iconic a Robin Hood as Errol Flynn? What’s up with Lady Marian’s surname? How does Robin Hood slide down that tapestry so brilliantly? Tune in to this week’s show to get these answers and more.
Fritz Lang’s 1928 silent spy thriller “Spies” rarely gets brought up when people mention Lang and his filmography. Dwarfed by arguably two of his best made on either side of it – “Metropolis” and “M” – “Spies” was Lang’s first film outside the shell of Ufa, the German motion-picture company. It did well enough for itself, but not well enough to make a big mark in cinema. But if you watch it, you’ll see the birthplace for practically every spy movie trope that has been on screen since. Join us – Pete Wright and Andy Nelson – as we continue our Fritz Lang series with “Spies.”
Fritz Lang’s sci-fi classic has really been through the wringer since it’s premiere in 1927. After having been cut nearly in half then reshaped, people have struggled over the decades to restore the 2 ½ hour film to its full glory but to little avail. In 2008, however, a 16mm print of a horribly scratched copy of the nearly full version was found in Buenos Aires and the film was given new life. It’s since been beautifully restored and is a marvel to watch, even with the scratches. Join us – Pete Wright and Andy Nelson – as we begin our Fritz Lang series with “Metropolis.”