For all you proper film enthusiasts who would like to peruse the films of TruStory FM’s entertainment podcasts by release decade. Get ready for a firehose of film history in these here stacks.
We wrap up our member bonus episode series looking at the three films nominated for the National Society of Film Critics Awards for Best Cinematography in 1969 with a chat about Sam Peckinpah’s The Wild Bunch. It’s a brilliant film and one we’re thrilled to talk about.
Sophie Barthes, writer/director behind “Cold Souls,” “Madame Bovary,” and most recently “The Pod Generation,” joins us to tackle Bergman! We’re talking about his 1966 film “Persona,” which means we have no shortage of things to discuss. Shot construction, editing style, performances, Bergman’s personal life leading to the film – we barely scratch the surface of this fascinating film. Plus, we dig into Sophie and her films. Tune in!
We return to the 1969 National Society of Film Critics Awards nominee list for Best Cinematography for this month’s member bonus episode. Specifically, we’re talking about Haskell Wexler’s narrative feature directorial debut “Medium Cool.” Taking place around Chicago during the 1968 Democratic National Convention, it has a lot to say about politics, race relations, and the media. Still, that last act leaves us scratching our heads… Tune in!
For this month’s member bonus episode, we’re kicking off a three-part series looking at the nominees of the 1969 National Society of Film Critics Awards for Best Cinematography. First up, it’s Lindsay Anderson’s 1968 film “if…”. Fascinating film to talk about, interesting usage of both black-and-white and color cinematography. Tune in!
Our members voted, and for this month and next, we’re talking about ‘Fast’ Eddie Felson. We start this month with Robert Rossen’s 1961 film ‘The Hustler’ starring Paul Newman, Jackie Gleason, Piper Laurie, and George C. Scott. It’s a brilliant film about pool and life, and definitely takes us on a dark journey. Tune in!
For our February member bonus episode, the members voted to jump back into our Ingrid Bergman series with her 1969 comedy ‘Cactus Flower.’ Walter Matthau’s in it, and this is where Goldie Hawn made her mark and won her Oscar! We have a great time chatting about this movie so check it out and tune in!
Does Costa-Gavras’ film feel as relevant today as it did in 1969? How does the structure of the storytelling work in detailing the elements of this political thriller? Should it have won Best Picture in addition to Best Foreign Language Film? Tune in to this week’s show to get answers to these questions and more!
Toward the end of Grant’s acting career, he had stopped playing the romantic interest, concerned how his age reflected in the on-screen relationships, particularly with younger women. After this point, he only played a romantic interest one last time, and it was opposite Audrey Hepburn in Charade.
When John le Carré wrote his third novel “The Spy Who Came in From the Cold,” it was such a success and brought him so much acclaim that it essentially outed him as a spy for MI6. He’d been doing it for only five years, but in that time, he learned a great deal about how the machine worked and was able to bring that world to life with greater accuracy than had been seen before.
How influential has this film been over the years? Where does this film fit into the French crime films? Does anyone wear a trenchcoat and fedora like Alain Delon? Tune in to this week’s show to get these answers and more!