The Producers (1968)
How well do Zero Mostel and Gene Wilder work with each other? Does the musical element hold up? How about the comedy? Tune in to this week’s episode to find out these answers and more!
For all you proper film enthusiasts who would like to peruse the films of TruStory FM’s entertainment podcasts by release decade. Get ready for a firehose of film history in these here stacks.
How well do Zero Mostel and Gene Wilder work with each other? Does the musical element hold up? How about the comedy? Tune in to this week’s episode to find out these answers and more!
How well do Steve McQueen and Faye Dunaway work together? What was the inspiration for the multi-screen images? Has there ever been a sexier game of chess played? Tune in to this week’s show to get answers to these questions and more!
Does Leone’s fourth western stand up to his earlier trilogy? How is Henry Fonda as the baddie? Can Leone handle a woman being one of the main characters? Tune in to this week’s show to hear these answers and more.
Are fifty-year-old zombies scary today? How does the gore hold up? Did the actors really eat sheep intestines? Tune in to this week’s episode to find answers to these questions and more!
Would a super-villain really use something called Exhilarating Gas? How well does John Phillip Law work as Diabolik? Is this a film we’d watch again? Tune in to this week’s show to find out our answers to these questions and more!
Does Sinatra hold his own as a down-and-dirty NYC detective? Could Lee Remick be any more marvelous? How does the film hold up 50 years later? Tune in to this week’s show to find out these answers and more.
Join us – Pete Wright and Andy Nelson – as we continue our Crime Films from 1968 series with Siegel’s Coogan’s Bluff.
How effective is Peter Bogdanovich’s first try at directing a film? Does Boris Karloff still provide the scares he once did? Is the film still relevant today? Tune in to this week’s show to hear our answers to these questions and more!
Rod Serling discovered the strength of writing science fiction as a way to disguise commentary on society of the day which led to The Twilight Zone. His contributions to Franklin J. Schaffner’s science fiction film Planet of the Apes allowed him to do the same on a cinematic scale. With political, religious and social commentary, as well as commentary on nuclear war, Serling gave the series a definite point of view and contributed to the film becoming an incredible success. Join us as we kick off our 50th-anniversary celebration of the Planet of the Apes series, starting with Schaffner’s 1968 film Planet of the Apes.
Is 2001 really one of the greatest films ever made or could Kubrick have used a better editor? Does the monolith really represent the movie screen? Is HAL one of the cinema’s great villains? Tune in this week to get these answers and more!