For all you proper film enthusiasts who would like to peruse the films of TruStory FM’s entertainment podcasts by release decade. Get ready for a firehose of film history in these here stacks.
Its the podcast that is TRULY dazzling as a filmmaker, a comedian and their guests like, totally take a look at the 80s movies we think we love or might have missed with 2020 eyes! This is Valley Girl, a movie selection from 1983.
Its the podcast where a filmaker and a comedian take a most excellent adventure through the 80s movies we think we love, with modern eyes! This is Bill and Teds Excellent Adventure, a movie selection from 1989
It’s the podcast where a filmmaker and a comedian revisit the 80s movies we think we love or might have missed with modern eyes. This is Red Dawn, a movie selection from 1984.
It’s the podcast where a filmmaker (Nathan Blackwell) and a comedian (Krissy Lenz) make their way through the 80s movies we think we love or love to hate with these, our grown up modern eyes to see how they hold up. And THIS movie has it all, including a
Its the podcast where a filmmaker and a comedian go into the light of the 80s movies we think we love and love to hate with modern eyes to see how they hold up! This is Poltergeist, a movie selection from 1982
It’s the podcast where a filmmaker and a comedian re-watch the 80s movies we think we love or love to hate with these, our modern eyes to see how they hold up. This movie has it all! Secret islands full of genetic experiments, baby makin’ milkshakes, Arno
It’s the podcast where a filmmaker and a comedian adventure through the mean streets of the 80s movies we THINK we love with modern eyes. This is Adventures in Babysitting, a movie selection from 1987.
The Most Excellent 80s Movies Podcast Returns! Its the podcast where a filmmaker and a comedian adventure through the vastness of space to take a look at the 80s movies they love or love to hate with oh so modern eyes. This is Aliens, a movie selection f
John le Carré’s book “The Little Drummer Girl” was somewhat controversial as it managed to offend both the Israelis and the Palestinians in its depiction of its terrorism story. Controversy, however, can often be seen as a moneymaker, at least that’s what the team at Warner Bros. must’ve thought when they set to work right away of adapting it and having George Roy Hill direct it.
Is it clear that Spike Lee has something to say with this film? How does the camerawork and production design work to enhance this world? Is this film still relevant in today’s society?