The Next Reel Film Podcast
Die Hard With a Vengeance
Join us – Pete Wright and Andy Nelson – as we continue our Die Hard series with McTiernan’s 1995 film Die Hard With a Vengeance.
January 11, 2018
For all you proper film enthusiasts who would like to peruse the films of TruStory FM’s entertainment podcasts by release decade. Get ready for a firehose of film history in these here stacks.
Join us – Pete Wright and Andy Nelson – as we continue our Die Hard series with McTiernan’s 1995 film Die Hard With a Vengeance.
Join us – Pete Wright and Andy Nelson – as we continue our Die Hard series with Harlin’s 1990 film Die Hard 2.
Join us – Pete Wright and Andy Nelson – as we continue our Star Trek series with Jonathan Frakes’ 1998 film Star Trek: Insurrection.
Join us – Pete Wright and Andy Nelson – as we continue our Star Trek series with Jonathan Frakes’ 1996 film Star Trek: First Contact.
Join us – Pete Wright and Andy Nelson – as we continue our Star Trek series with David Carson’s 1994 film Star Trek: Generations.
Join us – Pete Wright and Andy Nelson – as we continue our Star Trek series with Meyer’s 1991 film Star Trek VI: The Undiscovered Country.
Living in exile and still hoping to return to Tibet one day, the Dalai Lama’s life story was one of interest to screenwriter Melissa Mathison who asked him if she could write about him. This eventually led to the biopic Kundun. Join us as we wrap up our Melissa Mathison series with Martin Scorsese’s 1997 film Kundun.
Hayao Miyazaki has always had a strong relationship with nature that he’s portrayed in a number of his films, but nowhere has it grown as dark as it did in his 1997 film Princess Mononoke. While an animated film, the level of violence is very high and the themes are much more adult than his previous films and while he hasn’t returned to such dark films since, it’s clear that this was an important step in his storytelling and how his films look at the relationship between man and nature.
When 20-year-old twin brothers Albert and Allen Hughes directed their first feature film in 1993, Menace II Society, they immediately showed audiences everywhere that they were storytellers who weren’t afraid to tell risky stories and filmmakers who understood the language of the medium. The film seemed dangerous. It was vicious. Gritty. Brutal. And it was authentic, which perhaps is the greatest testament to what these young filmmakers set out to do. Join us – Pete Wright and Andy Nelson – as we kick off our Hughes Brothers series with their 1993 debut, Menace II Society.
Despite the bans on some of his earlier films like Ju Dou and Raise the Red Lantern in his home country of China, Zhang Yimou had exploded onto the world stage with these visually sumptuous films and had become a filmmaker worth talking about. Perhaps it was exactly this international presence that kept the Chinese government from suppressing his storytelling further – it gave him the popularity Zhang needed to keep making films. Whether that’s true or not, these early films of his certainly do feel like he has a few things to say about modern China, and it’s perhaps understandable that they’d take offense. Join us – Pete Wright and Andy Nelson – as we continue our Zhang Yimou series with his fourth film, 1991’s Raise the Red Lantern.