With over 25 years of experience in film, television, and commercial production, Andy has cultivated an enduring passion for storytelling in all its forms. His enthusiasm for the craft began in his youth when he and his friends started making their own movies in grade school. After studying film at the University of Colorado Boulder, Andy wrote, directed, and produced several short films while also producing indie features like Netherbeast Incorporated and Ambush at Dark Canyon.
Andy has been on the production team for award-winning documentaries such as The Imposter and The Joe Show, as well as TV shows like Investigation Discovery’s Deadly Dentists and Nat Geo’s Inside the Hunt for the Boston Bombers. Over a decade ago, he started podcasting with Pete and immediately embraced the medium. Now, as a partner at TruStory FM, Andy looks forward to more storytelling through their wide variety of shows.
Throughout his career, Andy has passed on his knowledge by teaching young minds the crafts of screenwriting, producing, editing, and podcasting.
Outside of work, Andy is a family man who enjoys a good martini, a cold beer, a nice cup o’ joe. And always, of course, a great movie.
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Andy has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Andy has been a panelist right here.
Happy holidays! It’s time for another Christmas movie pick to celebrate, and we’re jumping back to 1947 to talk about Henry Koster’s “The Bishop’s Wife.” Join us — Pete Wright and Andy Nelson — as we dive into this perennial classic starring Cary Grant, Loretta Young and David Niven.
Phew. This film should be required viewing for all high school seniors. It’s brutal and intense, but also honest and powerful in its depiction of addiction. Join us — Pete Wright and Andy Nelson — as we finish up our series on the immensely gifted actress Ellen Burstyn with Darren Aronofsky’s 2000 film “Requiem for a Dream.”
It’s pretty rare for a film to come along that has such a visceral effect on people when they’re watching it where they faint or throw up because it’s so overwhelming. When “The Exorcist” was released just after Christmas in 1973, it had that effect. People flocked to it in droves and seemed to have these heightened reactions to it, whether because they were so scared or they felt it was truly evil. It’s a fascinating case study in how religion and horror draws people to the theatre. Join us — Pete Wright and Andy Nelson — as we continue our Ellen Burstyn series with William Friedkin’s “The Exorcist.”
Ellen Burstyn won her Oscar for Best Actress for her powerful turn as Alice Hyatt in Martin Scorsese’s 1974 film “Alice Doesn’t Live Here Anymore,” and it was clearly well-deserved. Always an actress in pursuit of roles as strong female characters, Burstyn took this film on after her huge success with “The Exorcist.” Join us — Pete Wright and Andy Nelson — as we start our Ellen Burstyn series with “Alice Doesn’t Live Here Anymore.”
Joel and Ethan Coen must have a funny sense of humor, because the idea of making an “adaptation” of Homer’s ‘The Odyssey’ without having read it just seems like a bad idea when I picture anyone else doing it, but with them it seems like that’s part of the joke. They put enough of the story into this film to warrant it being credited as an adaption but certainly create a world of their own within the context of the film — 1930s Mississippi. And the Coens are masters of creating worlds within their films. Join us — Pete Wright and Andy Nelson — as we finish our Coen series with this fantastic 2000 film.
It seems appropriate to the character of the Dude that “The Big Lebowski” took its time finding its audience. Coming fresh on the heels of their first Oscar-winning hit, “Fargo,” the Coen Brothers’ 7th film had a strange sense of humor, felt disjointed, was full of swearing, and didn’t connect with audiences or critics, who were all largely left scratching their heads. But time was on the side of the movie as people continued to discover it, turning it into a much-loved cult classic — with its own annual festival even. Join us — Pete Wright and Andy Nelson — as we continue our Coen Comedy series with 1998’s “The Big Lebowski.”
It’s time for some laughs! Kicking off our series of Coen brother comedies, we jump in with the second film of theirs, “Raising Arizona.” Coming after “Blood Simple,” they certainly went 180 degrees with this wild comedy. Join us — Pete Wright and Andy Nelson — as we talk about this hilarious 1987 film.
It’s time for another Listener’s Choice episode! For this round, listener Jeremy Wickett was chosen and gave us Albert Brooks’ 1991 film Defending Your Life to discuss. Join us — Pete Wright and Andy Nelson — as we talk about Brooks’ movie.
Bryan Singer’s film “Apt Pupil” was actually the second time the film was under production; the first attempt had several casting issues and when it finally started shooting, ended up running out of funds, killing the project. Perhaps that was a sign that Stephen King’s novella was a bit too tricky to make correctly. It’s a very dark story that doesn’t really have any likable characters in it. Singer’s 1998 adaptation toned much of the violence from the book down, but also took a different angle with the ending that many people, including us, felt didn’t work. Join us — Pete Wright and Andy Nelson — as we finish our epic Stephen King adaptation series with Singer’s “Apt Pupil.”
Rob Reiner could very easily get back to making films like he did in his heyday if he made another Stephen King adaptation. Seriously, “Stand By Me” and “Misery” are two of the best King adaptations we’ve seen on the silver screen. Join us — Pete Wright and Andy Nelson — as we discuss the penultimate film in our King series, Reiner’s 1990 film “Misery.”