Johnny Got His Gun
Dalton Trumbo’s Controversial Anti-War Classic In 1971, blacklisted screenwriter Dalton Trumbo adapted his own 1939 anti-war novel Johnny Got His Gun for the big screen.
With over 25 years of experience in film, television, and commercial production, Andy has cultivated an enduring passion for storytelling in all its forms. His enthusiasm for the craft began in his youth when he and his friends started making their own movies in grade school. After studying film at the University of Colorado Boulder, Andy wrote, directed, and produced several short films while also producing indie features like Netherbeast Incorporated and Ambush at Dark Canyon.
Andy has been on the production team for award-winning documentaries such as The Imposter and The Joe Show, as well as TV shows like Investigation Discovery’s Deadly Dentists and Nat Geo’s Inside the Hunt for the Boston Bombers. Over a decade ago, he started podcasting with Pete and immediately embraced the medium. Now, as a partner at TruStory FM, Andy looks forward to more storytelling through their wide variety of shows.
Throughout his career, Andy has passed on his knowledge by teaching young minds the crafts of screenwriting, producing, editing, and podcasting.
Outside of work, Andy is a family man who enjoys a good martini, a cold beer, a nice cup o’ joe. And always, of course, a great movie.
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Andy has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Andy has been a panelist right here.
Dalton Trumbo’s Controversial Anti-War Classic In 1971, blacklisted screenwriter Dalton Trumbo adapted his own 1939 anti-war novel Johnny Got His Gun for the big screen.
The data is coming in and it’s looking like general enthusiasm is up about the podcasting business after a few years of grey skies. And Apple’s decided to turn the screws on Patreon. We have thoughts.
Talking About Jacques Audiard’s The Beat That My Heart Skipped with our guest, director John Patton Ford In this delightful episode of Movies We Like,
We continue our One-and-Done series, looking at filmmakers who only directed one feature film, with Barbara Loden’s cinema verité film “Wanda” from 1970, a film that feels experimental and is divisive for viewers.
美術監督・種田陽平が、自身のキャリアと溝口健二監督の『雨月物語』の忘れがたい芸術 性について語ります。映画における視覚的なストーリーテリングの魅力的な探求です。
We continue our One-and-Done series looking at Leonard Kastle’s fictionalized recounting of the Loney Heart Killers’ brutal crimes in the 40s with his only film, The Honeymoon Killers.
Join Andy and Luiza Lusvarghi as they explore the gritty, pulsating world of Brazilian favela films, from neorealist influences to contemporary crime dramas.
This week, Andy and Pete explore the impact of the Paris Olympics on podcast downloads, discuss summertime advertising rates, and share their experiences with various podcast apps.
Production designer Yôhei Taneda shares insights into his career and the haunting artistry of Kenji Mizoguchi’s Ugetsu. A fascinating exploration of visual storytelling in cinema.
We kick off our One-and-Done series with the only feature film that Herk Harvey, who mainly directed industrial and educational films, made. It’s the moody, haunted 1962 film ‘Carnival of Souls.’