Lester is an actor, writer, model, and teacher. Currently based in Los Angeles, he got his start doing community theater in his hometown of Las Vegas. After graduating from UNLV, he moved to Japan, where he continued performing in local theatre productions (some entirely in Japanese!) and wrote and performed his own short films and plays.
Lester then moved to Hong Kong. There, he worked with theatre companies such as the Hong Kong Players and the Hong Kong Singers. It was also here that Lester began voice acting. Together with Kynan Dias, he co-hosts two shows on TruStory FM. They are Every Minute of Everything Everywhere All at Once and The Devil's Details. The pair also completed a full run of The Exorcist Minute, now archived in TruStory FM's back catalog.
🌐 IMDb • Lester Ryan Clark
🌐 LesterRyanClark.com
🌐 Facebook
🌐 Instagram
🌐 Threads
🌐 YouTube
Thirty-eight seconds, sixty-nine universes, and a wink directly at the audience—we go frame by frame on episode 100 and find that the rock we thought was grey was always blue.
Twain’s Chronicle cuts off mid-magic trick in India. The famous ending—nothing exists, you are but a vagrant thought—is Paine’s theft. We read it anyway. It still lands.
The all-is-lost montage hits every universe at once—and someone in the background raises a newspaper before the glass breaks, because she already knew. We have thoughts on that too.
Father Peter wins his trial and loses his mind—Satan’s parting gift. Then Satan explains why laughter can topple empires and humanity refuses to use it. Chronicle Ch. 10.
A rotating strobe cycles Evelyn through every universe at once—kissing, stabbing, throwing macaroni—and the first triangle in a film of circles and bagels tells you everything.
Satan shows the boys the full sweep of human history from Cain to the present. His commentary is mild, detached, and devastating. Only the moral sense makes any of it possible.
Evelyn grabs the karaoke mic, signs the divorce papers, and smiles like Mr. Burns—then Deirdre walks in with cops, and we dig into why that entrance actually makes emotional sense.
Satan narrates a panorama of human massacre. Then produces goblets of heavenly wine. Seppi says ‘we shall be there someday.’ Satan seems to be thinking of something else entirely.
Evelyn’s eyes fill with black while the score plays a hero’s reawakening—and Jobu’s expression when “nothing matters” lands isn’t triumph. It’s something much more like nausea.
The darkest chapter of the season: a death the boys can’t prevent, a mother who curses God, and Satan rewriting a stranger into hell to help her. Twain might be darker than Poe.