Meet Your Host

Matthew Fox

Matthew Fox has been passionate about deep conversations about genre media since childhood, when watching the original Star Trek series with their mother often led to discussions about the ethical questions it raised.

Beyond podcasting, Matthew helps run a small nonprofit dedicated to breaking down barriers to computer science education for youth and also provides consulting services for nonprofits and small businesses.

Over time, their podcasting interests have expanded, launching a Star Wars-focused podcast in 2019 and frequently appearing as a guest or co-host on PandaVision and other shows. While ethical questions are not always the primary focus of their work, Matthew has a knack for finding them in nearly everything they watch.

They are the host and founder of both Star Wars Generations and Superhero Ethics, and co-host of Once and Future Parent on TruStory FM.

Babies Come in Purple?

From a 47-year-old first-time parent-to-be to parents of adult children, three hosts at wildly different stages discover that parenting looks nothing like the movies promised. They tackle the uncomfortable truth about parental control, the gap between media myths and messy reality, and why raising kids might require a village after all.

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Three Parents, Few Clues, Infinite Chaos

Three parents at completely different stages—newborn chaos, teenage hostage negotiations, and adult children who’ve achieved independence except financially—tackle the parenting questions nobody warns you about. It’s thoughtful, emotional, and funny, because raising humans means getting raised right back, and none of us know what we’re doing.

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Horror & Ethics • Superhero Ethics • Episode 360

Horror & Ethics

We explore horror as a vehicle for ethical discussion and social commentary. From urban-rural tensions to AI anxieties, we examine how horror reflects society’s deepest fears across decades.

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TDW Minutes 56-60: No More Illusions

Odin readies Asgard for war, Thor asks how he’s any different from Malekith, and Loki finally drops the illusion to show his grief. These five minutes could have been the film’s heart—so why do they feel like missed opportunities?

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