Pete Wright

At the 2008 Oscars, Joel and Ethan Coen pulled off what only 4 other directors had done before them, walking away that night with 3 wins. The film, of course, is “No Country for Old Men,” and they won for Best Adapted Screenplay, Best Directors, and Best Picture. Javier Bardem won Best Supporting Actor for his chilling portrayal of hitman Anton Chigurh, which was well-deserved, and the film was nominated for 4 other Oscars. At the time, it was their highest grossing film, and put right at the top of many critics’ best film of the year lists. Join us — Pete Wright and Andy Nelson — as we conclude our Dramas of the Brothers Coen series with a conversation about “No Country for Old Men.”

Joel and Ethan Coen may have won big at Cannes with “Barton Fink,” but it wasn’t until 1996’s “Fargo” was nominated for 7 Oscars including Best Picture, and won Best Actress (Frances McDormand) and Best Original Screenplay for the Coens that Hollywood really started believing that these guys could deliver the goods. (They did fail miserably in Hollywood with their previous effort, “The Hudsucker Proxy,” after all.) Join us — Pete Wright and Andy Nelson — as we continue our Drama by the Brothers Coen series with our discussion on this homespun tale of murder, “Fargo.”

“Barton Fink” was the crowning glory of the Cannes Film Festival when it premiered there in May 1991. Critics heaped their praises on it. But it never really connected with the audience and hence was a box office failure. Luckily, Joel and Ethan Coen made a film that is worth rewatching and discussing, even if it’s not completely decipherable. Join us — Pete Wright and Andy Nelson — as we continue our Drama of the Brothers Coen series and delve into the murky, oozing depths of “Barton Fink.”