Integrating Teams that Don’t Speak Finance
February 3, 2014
In our efforts to help institutions lead change, we’re often placed in a position of helping chief business officers to sell change initiatives based on
Pete has been a broadcaster for the last 30 years, falling in love with the edit bay in the back of a newsroom in Colorado Springs, Colorado. He studied journalism at the University of Colorado with a focus on long-form documentary production, turning that early experience into a career helping businesses shape the stories of their brands through image and sound. Pete earned an M.S. in Organizational Design and spent fifteen years teaching graduate marketing students the power of human-centered communications. From public relations teams on global multi-million dollar brand projects to marketing for independent business owners, Pete has helped shape communications that build brands. In 2006, he launched Fifth & Main, LLC., a media consultancy focused on brand-building through the nascent field of podcasting. In 2020, nearly 3,000 individual podcast episodes behind them, the company rebranded as TruStory FM with an ear toward the next decade of podcast education and entertainment.
Pete has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Pete has been a panelist right here.
In our efforts to help institutions lead change, we’re often placed in a position of helping chief business officers to sell change initiatives based on
Wong Kar-Wai’s sumptuous film “In the Mood for Love” premiered at the Cannes Film Festival in 2000 and, while it lost the Palm d’Or, it left an indelible impression on everyone who saw it. A story of a connection between a man and woman who learn their spouses are having an affair, the film deals with their growing friendship as they help each other come to terms with the infidelity. In the process, they also struggle with their own draw to each other. Join us — Pete Wright and Andy Nelson — as we discuss the first of our Listener’s Choice films.
Richard Dysart is one of those faces that you instantly recognize. He’s acted on the stage, on the movie screen and on the TV screen most of his life. This week, he sits down with Pete and Andy to talk about a decades-long career on the big screen and small.
This week on the show, Nikki Kinzer and Pete Wright talk about the nature of accountability, how to find a great accountability partner, and when you should step up and ask for help.
Becoming a leader of change is about far more than effective project management skill. It’s a unique and delicate art that must balance the processes
“Pale Rider” marks Clint Eastwood’s 10th time directing himself in a film, something he went on doing until 2008’s “Gran Torino” and something he clearly knows how to do well. This seems to hold true especially in westerns, even though he only directed himself in four of them. Perhaps that’s because he had so much experience in them and learned from other directors like Sergio Leone how to stand, how to ride, how to stare, how to shoot on film. And while “Pale Rider” is an obvious retelling of the classic 1953 film “Shane,” it can stand on its own merits and doesn’t feel like a ripoff. Join us — Pete Wright and Andy Nelson — as we come to the last film in our Richard Dysart series, 1985’s “Pale Rider.”
This week on the show, Nikki Kinzer and Pete Wright talk about the nature of perfectionism, determining your special brand of perfectionism, and offer insights for helping to see when perfectionism is in the way of your success.
The result of bringing together terrific individuals into a team can be a fantastic, productive foray into high calibre collaboration. Over time, we see formerly
“Jack Ryan: Shadow Recruit” is worth exactly what you pay for it. And possibly slightly less. Such is the verdict of The Next Reel Film Board this month as we take on the Kenneth Branagh-helmed thriller.
Hal Ashby made a number of stand-out films in the 70s, films that looked at human nature in offbeat stories that didn’t feel like they came from a mold. When Peter Sellers presented him with the opportunity to direct an adaptation of Jerzy Kosinski’s novella “Being There” shortly after the book’s publication, he loved the idea and spent the next 9 years working to find the funding to get it made. The film was finally released in 1979 and was considered by many to be Peter Sellers’ return to greatness. Join us — Pete Wright and Andy Nelson — as we continue our Richard Dysart series with this fantastic film.