
The Culinary Industrial Complex
Welcome to Season 11 of All The Feelings: Still Adulting, where Pete and Tommy prove that being a grown-up is just an elaborate prank we’re all somehow still falling for. This week: The culinary industrial complex.
Pete has been a broadcaster for the last 30 years, falling in love with the edit bay in the back of a newsroom in Colorado Springs, Colorado. He studied journalism at the University of Colorado with a focus on long-form documentary production, turning that early experience into a career helping businesses shape the stories of their brands through image and sound. Pete earned an M.S. in Organizational Design and spent fifteen years teaching graduate marketing students the power of human-centered communications. From public relations teams on global multi-million dollar brand projects to marketing for independent business owners, Pete has helped shape communications that build brands. In 2006, he launched Fifth & Main, LLC., a media consultancy focused on brand-building through the nascent field of podcasting. In 2020, nearly 3,000 individual podcast episodes behind them, the company rebranded as TruStory FM with an ear toward the next decade of podcast education and entertainment.
Pete has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Pete has been a panelist right here.

Welcome to Season 11 of All The Feelings: Still Adulting, where Pete and Tommy prove that being a grown-up is just an elaborate prank we’re all somehow still falling for. This week: The culinary industrial complex.

Bonding leave sounds simple until you try to coordinate it with FMLA, align measurement periods that don’t match, and manage scenarios the law’s drafters probably didn’t anticipate. Sarah Piscatelli and Mary McNally explain why the distance between a well-intentioned benefit and getting it right in practice is wider than most HR professionals expect.

You’ve tried connecting tasks to meaning and designing your environment—but what happens when you’re still stuck? James Ochoa helps us understand what’s really happening beneath the surface when motivation strategies aren’t enough.

We unpack Hallström’s The Hoax in our True Lies series, exploring how a literary fraud spun out of control through fake documents, method acting, and institutional complicity.

No judgment. Just two guys, a microphone, and the shared understanding that being a grown-up is less “having it all figured out” and more “Googling things frantically at 2 AM while pretending you’re fine.”

Chris Pratt wakes up strapped into a futuristic courtroom chair with 90 minutes to live and an AI judge who looks like Rebecca Ferguson, so naturally the movie turns into Minority Report: Touchpad Edition. Pete Wright, Andy Nelson, Tommy Metz III, and Steve Sarmento argue whether Mercy is a cautionary tale about surveillance and AI… or just a very shiny roller coaster that keeps finding new ways to trip over its own shoelaces.

Filmmaker Miguel Ángel Ferrer joins us to talk about The Sea Inside, The Shadow of the Sun, and how stories about death can teach us how to truly live.

What happens when the thing you made becomes a place people gather—quoting your lines back to you, building wikis, making dioramas, and expecting you to be both artist and camp counselor? This week on Craft and Chaos, the crew talks fandom, creative boundaries, writing soundtracks, and the dangerous magic of asking, “Tell me you’re a fan without telling me you’re a fan.”
The scale only tells you how heavy you are—not what that weight is made of—and that’s why it can wreck your motivation. Pete and Srdjan lay out the metrics that actually matter, from body composition trends to strength, recovery, sleep, energy, and the everyday signs that your body is changing even when the number won’t behave.

We continue our True Lies series with a look at the story of Stephen Glass’s fraudulent stories he made up for The New Republic as portrayed in Billy Ray’s Shattered Glass. The trouble is, it feels like it’s just the third act of the story.