RoboCop
We wrap up our conversation about five films – nominated and not – at the 1988 Academy Awards for Best Visual Effects. Today, we discuss one of our favorites – Paul Verhoeven’s RoboCop.
Each episode of The Next Reel Film Podcast is a part of a series or collection of films brought together by time, idea, or contributor. Looking to build a great watchlist? You can’t go wrong with starting on a Next Reel Series.
We wrap up our conversation about five films – nominated and not – at the 1988 Academy Awards for Best Visual Effects. Today, we discuss one of our favorites – Paul Verhoeven’s RoboCop.
We continue our look at nominees and non-nominees for the 1988 Academy Award Best Effects – Visual Effects category. Today, we’re chatting about Rob Reiner’s perfect fantasy comedy romance film. That’s right, we’re digging into The Princess Bride.
It’s our December Member Bonus Episode, and the members have spoken — we’re adding Joel Schumacher’s 1987 teen vampire horror comedy “The Lost Boys” to the list of films that coulda been a contender at the 1988 Academy Awards nominations for Best Visual Effects. It’s a fun one to return to, and has a lot more going on than we realized when we first saw it in the 80s. Tune in!
We continue our look at the 1988 Academy Awards Best Visual Effects Nominees – and some non-nominees – with a conversation about the fantastic John McTiernan 1987 muscle-filled alien battle. That’s right, we’re taking on Predator.
We kick off our look at the 1988 Academy Awards Best Visual Effects Nominees with Joe Dante’s miniaturization sci-fi comedy Innerspace, starring Martin Short, Dennis Quaid, and Meg Ryan. What a great way to start this incredibly fun series!