Battle Beyond the Stars
We continue our Seven Samurai Family series with a Roger Corman-produced sci-fi that fits the Seven Samurai bill while also cashing in on the Star Wars fever—it’s Jimmy T. Murakami’s Battle Beyond the Stars.
Sholay
We wrap up our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series with a crossover into our next series—the Seven Samurai Family—with a wildly fun and exuberant film, Ramesh Sippy’s Sholay.
The Super Inframan • Member Bonus
For our monthly member bonus episode, we backflip into Hua Shan’s crazy tokusatsu movie The Super Inframan. It’s frenetic and non-stop, and we had a blast. Check it out!
Dog Day Afternoon
We continue our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series with Sidney Lumet’s fantastic bank heist gone wrong, Dog Day Afternoon, starring Al Pacino and John Cazale.
Deep Red (Profondo Rosso)
We continue our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series with Dario Argento’s Deep Red, aka Profondo Rosso, our first dip into Italian Giallo films.
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
We continue our Golden Jubilee series exploring 1975’s global cinema with Jeanne Dielman, debating how three hours of domestic routine builds to cinema’s most earned ending.
Barry Lyndon
We kick off our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series, celebrating 50 years of incredible, groundbreaking films. We start things off with Stanley Kubrick’s Barry Lyndon.
Night Moves • Member Bonus
Join us for this member bonus episode, part of our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series, discussing Arthur Penn’s neo-noir film Night Moves, starring Gene Hackman.
Ju-on: The Grudge 2
We wrap up our Silver Screams: 25 Years of Ju-on series with the fourth feature entry in the franchise, Takashi Shimizu’s 2003 film Ju-on: The Grudge 2, in which Shimizu does an able job of changing things up and advancing the concept.
Ju-on: The Grudge
We continue our Silver Screams: 25 Years of Ju-on series with the big one, the one that most people probably started with because it was the move to theatrical, it’s Takashi Shimizu’s 2002 film “Ju-on: The Grudge.”