It’s the perfect description of the awkward yet touching relationship between a simple 40-something assassin and a wise-beyond-her-years pre-teen girl, and it’s at the heart of our next pick in our Luc Besson series, his first foray into English-language cinema, 1994’s Leon: the Professional, or more simply just Léon.
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We’re starting off our Luc Besson series with a film that fascinates us, even if it sometimes devolves into a cartoonish atmosphere. This week, we chat about Besson’s 1990 film Nikita, or La Femme Nikita if you’re so inclined. Join us — Pete Wright and Andy Nelson — as we start off this series with this Pygmalion-like tale of a young woman trained to be a government assassin.
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Ryan Gosling plays such a mysterious, quiet character in Nicolas Winding Refn’s 2011 film, “Drive,” that he’s never even given a name — he’s simply credited as Driver. The film has shades of noir and of 80s crime films, creating a dreamy neon quality interrupted by horribly violent outbursts that wake you up. It’s a fascinating film that critics really took notice of when it was released.
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One of John Frankenheimer’s best films came late in his career — 1998’s Ronin. A seemingly simple story about a group of mercenaries who take a job trying to get a mysterious case is twisted around with double-crosses and plot twists, and becomes a perfect example of Hitchcock’s MacGuffin.
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It’s our ONE YEAR ANNIVERSARY, everyone! That’s right, we’ve been doing this podcast for one year now, and what better way to celebrate than with the next in our Great Car Chase series—William Friedkin’s 1971 Best Picture Oscar-winner, “The French Connection.”
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Steve McQueen was one of the coolest actors out there. He brought amazing performances to the screen time and time again. The Magnificent Seven. Papillon. The Thomas Crown Affair. The Great Escape. The Getaway. The Sand Pebbles. The list goes on. In 1968, he played Frank Bullitt in Peter Yates’ film Bullitt, and brought incredible realism, sensitivity and intelligence to the role of a San Francisco policeman. He also brought his desire to create realistic car chases, and because of this ended up a part the granddaddy of all car chases put on film.
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These aren’t words you want to hear when you’re stuck on a spelunking trip, particularly when you find out that the “something” that’s down here wants to eat you. That’s what happens to the cast of six ladies on an adventure trip in Neil Marshall’s 2005 film, “The Descent.”
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Zack Snyder’s 2004 “Dawn of the Dead” remake of George A. Romero’s 1978 zombie classic may not be trying to say much, but it sure provides a good, fun scare. Join us—Pete Wright and Andy Nelson—on this week’s episode as we continue our October Horror series with this film.
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Zombies had notoriously been slow entities—let’s face it, the walking dead just don’t move so fast. But then Danny Boyle came along and, with writer Alex Garland, injected the zombie sub-genre with speed in their film “28 Days Later.” The zombies became fast creatures. And all the more terrifying because of it.
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In 1982, John Carpenter’s “The Thing” was released but had a tough time competing against other big sci-fi films released at the same time—E.T. the Extra Terrestrial and Blade Runner. It also was viewed by critics as being overly gory and wretched. With time, however, the film has gained a big cult following, big enough to warrant a prequel, a comic book series, a video game and a potential sequel. Now, it’s considered by many to be one of the great horror films of all time.
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