We don’t know what kind of internet user you are, but if you’ve found this page, you’re the kind we like to see. Not many people like to peruse by date so we hope you get every bite out of your results.
In September 2013 The Hollywood Reporter pronounced the romantic comedy genre as dead. The heyday of romantic comedies in the late 20th and early 21st
I love science. Even more, I love people who love science so much that they’ll go all undead to get their point across. Even more
Often a young filmmaker can leverage their own personal connection to a story, or its theme, to launch their career. They tap into something personal,
In episode 115, Pete and Andy briefly talk about Wally Pfisters’ directorial debut during their weekly trailer picks. In their discussion Andy stated that often
Pete Wright has often stated that for some movies he paid for the whole seat but only used the edge. While some may say that
For anyone who has seen Beasts of the Southern Wild, it’s clear that the film is made by a storyteller with a unique vision of the
The following is a message we received from listener Ben Lott. Ben is the man behind the Blott Score, and after months of silence, he wrote
One of the joys of Flickchart is seeing the array of movie posters for a film. Every film fan has a favorite movie poster. It
Paul and I talk about tropes in our favorite movies and shows, using the Netflix series The Queen’s Gambit as our launch point. What makes a trope annoying or problematic, and where can they be helpful to a story, especially one involving superheroes? How does The Queen’s Gambit both embrace and subvert tropes in ways that make it such an engaging story? And we ponder the question: Is chess a superpower?
Does this film work better than last week’s Tentacles? How well does Joe Dante’s trademark horror-comedy come through in this early film of his? What’s more terrifying – piranhas or octopuses – and should we really be afraid of them in real life? Tune in to this week’s show to get answers to these questions and more!