
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
We continue our Golden Jubilee series exploring 1975’s global cinema with Jeanne Dielman, debating how three hours of domestic routine builds to cinema’s most earned ending.
For all you proper film enthusiasts who would like to peruse the films of TruStory FM’s entertainment podcasts by release year. Get ready for a firehose of film history in these here stacks.
We continue our Golden Jubilee series exploring 1975’s global cinema with Jeanne Dielman, debating how three hours of domestic routine builds to cinema’s most earned ending.
We kick off our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series, celebrating 50 years of incredible, groundbreaking films. We start things off with Stanley Kubrick’s Barry Lyndon.
Join us for this member bonus episode, part of our Golden Jubilee: 1975’s Pioneering Visions in Global Cinema series, discussing Arthur Penn’s neo-noir film Night Moves, starring Gene Hackman.
We continue our Roger Corman member bonus series with a look at the film he produced for first-time director Paul Bartel, a bloody comedy satire on politics, fandom, the media, and of course killer car races – it’s the 1975 film Death Race 2000.
Cinematographer Florian Hoffmeister, who has crafted incredible images in projects like TÁR and True Detective season 4, joins us to discuss his career as well as one of his favorite films, Andrei Tarkovsky’s Mirror.
Actor Patrick Fabian, star of Better Call Saul and The Last Exorcism, joins us to talk about his career and one of his favorite movies – John Huston’s brilliant adventure film from 1975, The Man Who Would Be King.
We conclude our series looking at the Hugo Award nominees for Best Dramatic Presentation in our conversation about Norman Jewison’s 1975 dystopian future sports movie, Rollerball.
We continue our exploration of the films nominated at the 1976 Hugo Awards for Best Dramatic Presentation. Today, we laugh along with one of our favorites – Monty Python and the Holy Grail. Still works as well as ever, and we even try saying a few smart things about it along the way.
For our November member bonus episode, we add a ‘what if?’ to our run of 1976 Hugo Awards Best Dramatic Presentation Nominees series, talking about Bryan Forbes’ 1975 film The Stepford Wives. How does it compare to the nominees?
We kick off our next series exploring the nominees for the Hugo Awards Best Dramatic Presentation award, starting with a bonkers post-apocalyptic film, L.Q. Jones’ A Boy and His Dog. Don Johnson and a telepathic dog? Jason Robards as leader of an underground society? We’re in!