Giant
April 24, 2018
Join us — PeteWright and Andy Nelson — as we wrap up our series on Dean’s three films with George Stevens’ 1956 epic Giant.
Pete has been a broadcaster for the last 30 years, falling in love with the edit bay in the back of a newsroom in Colorado Springs, Colorado. He studied journalism at the University of Colorado with a focus on long-form documentary production, turning that early experience into a career helping businesses shape the stories of their brands through image and sound. Pete earned an M.S. in Organizational Design and spent fifteen years teaching graduate marketing students the power of human-centered communications. From public relations teams on global multi-million dollar brand projects to marketing for independent business owners, Pete has helped shape communications that build brands. In 2006, he launched Fifth & Main, LLC., a media consultancy focused on brand-building through the nascent field of podcasting. In 2020, nearly 3,000 individual podcast episodes behind them, the company rebranded as TruStory FM with an ear toward the next decade of podcast education and entertainment.
Pete has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Pete has been a panelist right here.
Join us — PeteWright and Andy Nelson — as we wrap up our series on Dean’s three films with George Stevens’ 1956 epic Giant.
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Join us – Pete Wright and Andy Nelson – as we continue our James Dean series with Nicholas Ray’s 1955 film Rebel Without a Cause.
Bob Bachand serves as search architect for a major Fortune 100 organization. As such, he’s accustomed to dealing with the complexities of unifying the search experience for his users across platforms and applications.
We’re going through the motions. Get up. Go to work. Come home. Go to bed. Sure, there might be more to it than just that, but how much, really? Are you stuck in the trap of routine? Are you feeling stuck? Bored? Confused?
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Pete strives to relate to a brave new world. Tommy worries that in that world, we’re all just meat targets.
The world today remains saddled with war and confusion regarding how to achieve peace in the middle east, so how does this film inform our current status? Does it enrich the conversation with historical drama or does it support an ongoing narrative of futility?
Little bit of a rough start this morning but we get around to business. We’re talking kids in movies and TV first, two great trailers for summer and one with for a deep, dark, criminal winter. We’re talking sibling v. sibling movies to celebrate East of E
Join us – Pete Wright and Andy Nelson – as we look back at James Dean’s career, kicking it off with Elia Kazan’s 1955 film East of Eden.