Pete has been a broadcaster for the last 30 years, falling in love with the edit bay in the back of a newsroom in Colorado Springs, Colorado. He studied journalism at the University of Colorado with a focus on long-form documentary production, turning that early experience into a career helping businesses shape the stories of their brands through image and sound. Pete earned an M.S. in Organizational Design and spent fifteen years teaching graduate marketing students the power of human-centered communications. From public relations teams on global multi-million dollar brand projects to marketing for independent business owners, Pete has helped shape communications that build brands. In 2006, he launched Fifth & Main, LLC., a media consultancy focused on brand-building through the nascent field of podcasting. In 2020, nearly 3,000 individual podcast episodes behind them, the company rebranded as TruStory FM with an ear toward the next decade of podcast education and entertainment.
Pete has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Pete has been a panelist right here.
Film Board Assemble! This month the thugs gather to take on Joss Whedon’s next entry to the Marvel Cinematic Universe with “Avengers: Age of Ultron.” How does the comic adaptation stand up to the original books? Does Joss manage to pull off an even more character-dense film and keep it making some sort of sense? Why does Ultron smile and blink?
This week on the show, we’re talking all about routines — those strings of tasks that you have to complete in order to accomplish a goal. And because it’s a digital episode, Pete Wright walks through three systems for managing your sets of routines, plus
The Association of Jesuit Colleges and Universities just wrapped up their annual conference at Fordham University in New York City and Howard Teibel was on hand with our friends from Loyola to discuss “A New Way of Proceeding,” Loyola’s administrative and
George Miller’s film “Mad Max” came out in 1979 in Australia and became a huge success, going on to become the most profitable film ever until it was unseated from its throne by one Blair Witch. It went on to spur two sequels and, soon, a fourth. Join us — Pete Wright and Andy Nelson — as we gear up for one of our most anticipated movies this summer by kicking off our Mad Max series with the start of it all — “Mad Max.“
Recorded straight off stage from the 2015 AGB National Conference on Trusteeship, Howard Teibel shares his reflections on trusteeship, and lessons he learned working with trustees navigating their most challenging issues. From the coming closure of Sweet
This week, we help identify the potential cause of your follow through problem, and give you four solutions to move you through the mire and find the light of accomplishment!
Orson Welles never was one who could direct in the Hollywood studio system without a hitch, and his last studio picture he directed, 1958’s “Touch of Evil,” stands testament to that fact. While the shoot itself went well, the film ran into its issues in post, leaving a truncated version that Welles wasn’t a part of (nor happy with) released on the bottom of a double bill. Now, with a re-edited re-release, the film now stands as not only one of the great films noirs but also as one of Welles’ finest cinematic achievements. Join us — Pete Wright and Andy Nelson — as we finish our film noir series with this magnificent, and dark, film.
As we cruise toward our centennial episode of Navigating Change, we’re stepping back to share some of our key lessons learned. We’ve heard from presidents, chancellors, and trustees as they navigate their institutions though the rough seas of higher educa
This week on the show, we offer strategies for dealing with the stress of over-commitment that brings liberation and hope, too!
Child 44 was supposed to be Oscar bait. Instead, its star-heavy cast is dragging it through opening weekend with a 27% freshness rating on Rotten Tomatoes and a deflated box office take. But why?