Meet Your Host

Pete Wright

Pete has been a broadcaster for the last 30 years, falling in love with the edit bay in the back of a newsroom in Colorado Springs, Colorado. He studied journalism at the University of Colorado with a focus on long-form documentary production, turning that early experience into a career helping businesses shape the stories of their brands through image and sound. Pete earned an M.S. in Organizational Design and spent fifteen years teaching graduate marketing students the power of human-centered communications. From public relations teams on global multi-million dollar brand projects to marketing for independent business owners, Pete has helped shape communications that build brands. In 2006, he launched Fifth & Main, LLC., a media consultancy focused on brand-building through the nascent field of podcasting. In 2020, nearly 3,000 individual podcast episodes behind them, the company rebranded as TruStory FM with an ear toward the next decade of podcast education and entertainment.

Pete has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Pete has been a panelist right here.

The Next Reel • Season 12 • Series: 1940 Academy Award Best Picture Nominees • Mr. Smith Goes to Washington

Mr. Smith Goes to Washington

It’s rare to find a film from 75 years ago that feels relevant still in today’s world, but Frank Capra’s 1939 “Mr. Smith Goes to Washington” is one of those films. Corruption in the Senate? Check. Corporate interests secretly working their own machinations behind the scenes to get their political puppets to do their bidding? Check. Cynical office staff who are only interested in making a buck? Check. Sad to say that the only thing that doesn’t feel modern is that a politician like James Stewart’s titular character could actually exist. Or at least survive in today’s political world. Join us — Pete Wright and Andy Nelson — as we continue with our great films from 1939 series with Capra’s fantastic film “Mr. Smith Goes to Washington.”

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The Next Reel • Season 12 • Series: 1940 Academy Award Best Picture Nominees • Ninotchka

Ninotchka

Taking a completely different turn from last week’s Civil War epic, “Ninotchka” is a very light comedy by Ernst Lubitch dealing with Russians in their post-Revolution society. Join us — Pete Wright and Andy Nelson — as we continue our film about the great films of 1939 with Lubitch’s “Ninotchka.”

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Focus Follow-Up

Thanks to our fantastic listeners, we have received some great questions, comments, and resources to share after our focus and online shopping shows from the last few weeks.

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The Next Reel • Season 12 • Series: 1940 Academy Award Best Picture Nominees • Gone With the Wind

Gone With The Wind

Considering the racially-charged climate of the US right now, it’s oddly perfect timing that we’re starting our 1939 series with “Gone With The Wind,” a film as technically brilliant to look at as it is hard to watch because of it’s portrayal of slavery and the ‘lost cause’ Southern view of the Civil War. It certainly gives us a lot to talk about in this episode! Join us — Pete Wright and Andy Nelson — as we dive into Victor Fleming’s “Gone With The Wind.”

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Prepping for your Digital Summer Travel

It’s summertime! And for many of us, summer means travel. If you’re struggling with ADHD but have a tendency toward the digital, we have four areas for you to think about in this week’s podcast to keep you organized and informed.

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Be a Better Presenter with Gail Gregory

If you’re taking the stage as a presenter at the NACUBO Annual Meeting, you’re (hopefully!) well into preparing your presentation, rehearsing your slides, ensuring your jokes are funny, and timing what are sure to be copious applause breaks! But it’s neve

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Seconds

James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer’s 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer’s “Seconds.”

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