Subscribe to The Next Reel in Apple Podcasts, Spotify, or anywhere else you find your favorite podcasts!

Support The Next Reel Family of Film Podcasts • Learn More or Subscribe Now: One-Reeler $1/mo or Two-Reeler $5/mo



“Time for a change."

James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer’s 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer’s “Seconds.” We talk about the camerawork (paired with the editing) and how it works — or doesn’t work — for us in this thriller. We chat about the talent, notably Rock Hudson, John Randolph, Salome Jens, Will Geer, Murray Hamilton and Jeff Corey, and what they bring to the table. We discuss what works and what doesn’t work for us in this unique sci-fi story. And we touch on Jerry Goldsmith’s music and how much we love — or hate — it in this film. It’s a bit of a divisive conversation this week, but a very fun one. Tune in!

Film Sundries

Trailers of the Week

A show about movies and how they connect.

When the movie ends, our conversation begins.
We love movies. We've been talking about them, one movie a week, since 2011. It's a lot of movies, that's true, but we're passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community and let's hear about your favorite movies, too.