Talking About Jesus Christ Superstar with our guest, editor Lucy Donaldson
Film editor Lucy Donaldson joins Andy Nelson and Pete Wright to discuss Norman Jewison’s bold 1973 musical adaptation Jesus Christ Superstar and share insights from her impressive editing career. From working on acclaimed projects like Ma to recent hits like A Haunting in Venice, Donaldson brings her expert perspective to analyzing what makes this unconventional rock opera work so magnificently on screen.
In this entertaining and insightful conversation, Donaldson opens up about her journey in the film industry, from her early days at the National Film and Television School to assisting on major productions at Blumhouse before landing breakthrough editing opportunities. The discussion explores the collaborative nature of film editing, working with directors, and how test screenings help shape the final cut. The conversation then dives deep into Jesus Christ Superstar, examining how Jewison’s creative vision of hippie performers telling the Biblical story in the Israeli desert creates a uniquely compelling cinematic experience. From the magnetic performances of Ted Neely as Jesus and Carl Anderson as Judas to the bold editing choices and striking cinematography, the group analyzes what makes this controversial film continue to resonate decades later.
With its daring artistic choices, memorable musical numbers, and raw emotional power, Jesus Christ Superstar remains a fascinating piece of cinema that challenges conventional storytelling. Through Donaldson’s thoughtful analysis and personal connection to the film, we gain new appreciation for this groundbreaking rock opera that shouldn’t work on paper but absolutely triumphs on screen. This engaging discussion with a talented editor offers wonderful insights into both the craft of film editing and the enduring impact of bold artistic vision.
Film Sundries
- Watch the conversation on YouTube
- Lucy’s Website
- Watch this on Apple or Amazon, or find other places at Letterboxd
- Theatrical trailer
- Original Material
