Iron Man

in which Andy and guest Matthew Westfox from the Superhero Ethics Podcast talk about what shaped Tony’s memories of his father, the shift in Tony’s business perspective, and how those closest to Tony react to his announcement

in which Andy and guest Matthew Westfox from the Superhero Ethics Podcast talk about the fascinating Agent Coulson, the purpose of the existence of SHIELD, and Tony’s PTSD

in which Andy and guest Matthew Westfox from the Superhero Ethics Podcast talk about product placement, the realities of what Tony could accomplish in a cave in three months, and PG-13 sex jokes

in which Andy and guest Steve Sarmento from The Next Reel talk about the military usage of C-17s, Tony’s greeting for Pepper (and lack-of-greeting for Happy), and wet tarmacs

in which Andy and guest Steve Sarmento from The Next Reel talk about Tony’s escape plan, the design of Tony’s tank top, and how Rhodey found him

in which Andy, Pete and guest JJ Jaeger from The Next Reel talk about Favreau’s style of paying off moments of awesomeness with comedy beats, the chances of surviving a fall like Tony does, and the beauty of amazing crane shots (particularly in wind storms)

in which Andy and guest Liz Whitaker from the Mean Girls Minute talk about setting everything on fire and the logic of Tony’s plan, Tony’s rage possibly driving this scene, and the ability of the Mark I suit to keep Tony from cooking in all the fire

in which Andy and guest Liz Whitaker from the Mean Girls Minute talk about Yinsen’s tragic end and the great acting in the scene, discuss the hero turn Tony takes in this minute, and bid adieu to the cave set, which we’ve come to know so well

in which Andy and guest Liz Whitaker from the Mean Girls Minute talk about the logic of trying to shoot Iron Man in the head, the need for inner protection in the Mark I suit, and the possible maggots in the wheat upon which Yinsen is laying

in which Andy and guest Liz Whitaker from the Mean Girls Minute talk about the horror movie version of this minute, interesting action camera shots, and the logic of hitting people with the Mark I suit’s gloved hands