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The Lavender Hill Mob

“Call me Dutch."

Sir Alec Guinness had already proven both his comedic and dramatic prowess by the time he came to Ealing Studios’ “The Lavender Hill Mob” in 1951, a point in his career when he was making two films a year. He’d continue working in both comedy and drama throughout his career, but we’re lucky to still be talking about his comedies because “The Lavender Hill Mob” is an absolute delight. Join us — Pete Wright and Andy Nelson — as we continue our Sir Alec Guinness series with a conversation about his seventh film, directed by Charles Crichton. We talk about the comedy in this film and why it still works so well six and a half decades later. We chat about Crichton and his wonderful directing, and compare this film with his last film, 1988’s “A Fish Called Wanda,” which he directed and co-wrote. We discuss Guinness and the other actors making up the titular mob — Stanley Holloway, Sidney James and Alfie Bass — and look at what they each brought to the table. We chat about our favorite moments of the film and why, even with its problems, it’s still an utterly enjoyable caper film. And we point out several familiar faces that you may miss scattered throughout the film — see if you can catch them! It’s an absolute delight of a crime caper film, one which we have a great time talking about. Tune in!

Film Sundries

A show about movies and how they connect.

When the movie ends, our conversation begins. We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community and let’s hear about your favorite movies, too.