Facing Finance Organizational Challenges at the Individual Level
Join Howard Teibel and Pete Wright for a conversation on change and the challenges facing today’s finance organizations this week on Navigating Change!
Pete has been a broadcaster for the last 30 years, falling in love with the edit bay in the back of a newsroom in Colorado Springs, Colorado. He studied journalism at the University of Colorado with a focus on long-form documentary production, turning that early experience into a career helping businesses shape the stories of their brands through image and sound. Pete earned an M.S. in Organizational Design and spent fifteen years teaching graduate marketing students the power of human-centered communications. From public relations teams on global multi-million dollar brand projects to marketing for independent business owners, Pete has helped shape communications that build brands. In 2006, he launched Fifth & Main, LLC., a media consultancy focused on brand-building through the nascent field of podcasting. In 2020, nearly 3,000 individual podcast episodes behind them, the company rebranded as TruStory FM with an ear toward the next decade of podcast education and entertainment.
Pete has hosted as well as been a panelist on a number of episodes.
This page features episodes on which he has been a host.
See episodes where Pete has been a panelist right here.
Join Howard Teibel and Pete Wright for a conversation on change and the challenges facing today’s finance organizations this week on Navigating Change!
The Film Board gathers! It’s a full house this week as we take on the latest clawed brawler from Marvel, “The Wolverine.” The crew agrees: there are some stunningly beautiful sequences in this film, and while Jackman’s Wolverine rarely disappoints, on the whole the film loses steam tragically too early and delivers an ultimately forgettable experience.
William Goldman is often credited as the first screenwriter to sell a spec script, meaning he wrote a script without getting paid for it then sold it once he was done with it. It’s common in the novel-writing world, but in the late 60s, it was unheard of in the film business. That script was “The Sundance Kid & Butch Cassidy,” which legendary producer Richard D. Zanuck, who was running 20th Century Fox at the time, optioned for twice what they were allowed to, knowing it was going to be big. And he was right. We continue our Couples On the Run series with George Roy Hill’s 1969 western, “Butch Cassidy & the Sundance Kid.”
This week on the show, Nikki Kinzer and Pete Wright walk through the power of planning, and share how a good planning process can help provide the structure you need to get to work on the toughest projects.
Quentin Tarantino’s first script that he wrote turned out to be one he couldn’t get made himself. Lucky for us (or unlucky as some Tarantino fans feel), he managed to get “True Romance” into the hands of Tony Scott. Tony gave it a linear structure and a happy ending and, in our estimation, created a magical fairy tale of a film. We’re continuing our “Couples on the Run” series and are thrilled with this week’s edition of “True Romance” to the list.
This week on the show, Nikki Kinzer and Pete Wright introduce three tips for tackling clutter and finding your center through organization.
Infrequent filmmaker Martin Brest may have directed the box office bombs Gigli and Meet Joe Black, but he also directed the huge critical and commercial successes Beverly Hills Cop and Scent of a Woman. Somewhere in the middle of these films, he made a fantastic action-comedy about a bounty hunter taking a criminal across country to collect his reward. That’s right, we’re talking about Midnight Run, a part of our Couples on the Run series.
This week on the show, Nikki Kinzer and Pete Wright celebrate failure and call for all of us to embrace it for future success!
Stanley Kubrick’s 3rd film, “The Killing,” was a box office bomb due to a poor release plan from United Artists and virtually no marketing. Luckily, the film was critically praised and has grown in stature since its release in 1956. It’s a film noir about a race track heist gone wrong with the fantastic Sterling Hayden leading the charge, and the last film in our Heist series. Join us — Pete Wright and Andy Nelson — as we finish this series with Kubrick’s early classic.
This week on the show, Nikki Kinzer and Pete Wright talk about this state of perpetual overwhelm, how many people find themselves there, and a framework for digging back out of it over time to take back control in your life!