Dialect coach William Conacher joins us to talk about the fascinating world of helping actors find the right voice for their characters, as well as about John Hughes’ 1986 film “Ferris Bueller’s Day Off,” one of his favorites.
Welcome to Movies We Like. In each episode, co-hosts Andy Nelson and Pete Wright invite someone from inside the film industry to discuss their favorite films. What makes a movie inspirational to a cinematographer or a costume designer? Listen in to hear how these pros watch their favorite films.
Support The Next Reel Family of Film Podcasts • Learn More or Subscribe Now: One-Reeler $1/mo or Two-Reeler $5/mo
Movies We Like is a podcast that delves into the minds of film industry professionals. Moreover, it offers a unique and engaging perspective on the art of filmmaking.
In each episode, Andy and Pete invite a diverse array of guests to discuss the movies that ignite their passion. These guests include:
Listen as these industry experts share their favorite films and the profound impact these cinematic masterpieces have had on their careers. Furthermore, you’ll explore the power of storytelling and the nuances of visual aesthetics. You’ll also learn about the unsung heroes behind the scenes who bring these incredible stories to life.
Whether you’re a die-hard cinephile or simply curious about filmmaking, Movies We Like is for you. Additionally, it will deepen your appreciation for the craft and help you understand the intricacies of the film industry.
Don’t miss out on this engaging podcast. New episodes are released on the fourth Monday of each month. However, members get exclusive early access one week prior.
Tune in to Movies We Like and embark on a fascinating journey through the world of cinema.
With over 25 years of experience in film, television, and commercial production, Andy has cultivated a passion for storytelling that began in his youth. After studying film at the University of Colorado Boulder, he wrote, directed, and produced several short films and indie features. Andy has worked on award-winning documentaries and TV shows, and as a partner at TruStory FM, he looks forward to more storytelling through their wide variety of podcasts. Throughout his career, Andy has also taught screenwriting, producing, editing, and podcasting to young minds.
Pete has been a broadcaster for the last 30 years, falling in love with the edit bay in the back of a newsroom in Colorado Springs, Colorado. He studied journalism at the University of Colorado with a focus on long-form documentary production, turning that early experience into a career helping businesses shape the stories of their brands through image and sound. In 2006, he launched Fifth & Main, LLC., a media consultancy focused on brand-building through the nascent field of podcasting. In 2020, nearly 3,000 individual podcast episodes behind them, the company rebranded as TruStory FM with an ear toward the next decade of podcast education and entertainment.
Storyboard and concept artist Anson Jew joins us to talk about Philip Ridley’s 1990 film “The Reflecting Skin.” It’s a visually stunning, haunting film that’s been called Lynchian. That certainly fits! It’s a great film that gives us plenty to discuss. We also talk with Jew about his career and how he ended up where he did. Check it out then tune in!
Cinematographer Ross Riege joins us to talk about one of his favorite movies, Terrence Malick’s 1998 film ‘The Thin Red Line.’ We also talk about his career, his journey from ‘The Kings of Summer’ to ‘Weird: The Al Yankovic Story’, and his influences. Tune in for a great conversation!
Writer/producer Rachel Lewis joins us to talk about one of her favorite movies, Mike Nichols’ 1988 film ‘Working Girl,’ written by Kevin Wade. We also talk about her career as well as the goals of the current writers strike. Tune in for a great conversation!
Filmmaker Uwe Boll joins us to talk about Paul Thomas Anderson’s dark masterpiece THERE WILL BE BLOOD from 2007. Why do we like Daniel Plainview so much considering he’s such a difficult character to like? What about Anderson’s techniques used to make the film? How has the film influenced Boll’s own passions as a filmmaker? And what is he up to these days? Tune in!