The Saturday Matinée
2021-11-06 • Saturday Matinée
Mandy leads Ocean and Steve on a quest through reality TV shame, plus a list of angelic visitations!
November 8, 2021
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Mandy leads Ocean and Steve on a quest through reality TV shame, plus a list of angelic visitations!
We’re heading to Arrakis to take on the Baron in Denis Villeneuve’s latest epic, ‘Dune’. Ocean Murff leads Matthew Fox, Steve Sarmento, and Pete Wright in a tour of the Spice.
It’s episode 200 of the Saturday Matinée! A fine how-do-you-do to that. Thanks to everyone who has made our weekend romp so much fun these past four years!
Tommy Metz leads the crew of Steve Sarmento and Rob Kubasko this week in his very first Saturday Matinée hosting gig with Trailers, Games, and a terrible, terrible Watchlist!
We’re tackling James Wan’s wack-a-doo ‘horror’ movie ‘Malignant’ as our September Member Bonus episode on The Film Board. It’s a wild ride, but did we like it? Tune in to find out!
Saturday Matinée is back from our long July slumber with a new listener submittedgame, news, trailers, and a list of movies celebrating teachers who are just… the… worst.
Does this movie say anything new about being a dad or does it just rehash old ideas? Kevin Hart and the rest of the cast are great, but can they get past the script? Why is there a seven year jump in the middle of this film? It’s a frustrating one but worth the conversation in the board room. Tune in!
We’re watching some things, we definitely talk about that. Edgar Wright’s latest headlines our trailer bit, we’ve got a list of LGBTQ Hamlets, and a list made up of movies shot and set in the US Pacific Northwest! Bring the RAIN!
How great are Emily Blunt, Millicent Simmonds, Noah Jupe, Cillian Murphy, Djimon Hounsou and John Krasinski in the film? Why does Krasinski seem to be playing it safe with his storytelling here? How amazing is that opening sequence? And those creatures? And the sound design? What do we think about the impending Part III? Tune in to this episode of The Film Board to join the conversation!
Can Joe Wright do the thriller genre? Why does this film not feel like it’s delivering on any front? Does Amy Adams at least carry the film well? Tune in to get the answers to these questions and more