James Caan stars as Jonathan E., a legendary athlete in the brutal sport of Rollerball in Norman Jewison’s 1975 dystopian sci-fi thriller. With a screenplay by William Harrison based on his short story, Jewison intended the film as a critique of exploitative sports and their dehumanizing effects. However, audiences were enthralled by the violent future sport depicted. Rollerball entered a crowded field of 1970s dystopian sci-fi, alongside classics like A Clockwork Orange. Join us – Pete Wright and Andy Nelson – as we continue the 1976 Hugo Awards Best Dramatic Presentation Nominees series with a conversation about Rollerball.
Here’s a hint at what we talk about:
We discuss Rollerball as an early example of dystopian sports cinema, designed to make a point about authoritative control. Though we find flaws, like some pacing issues, we agree that Rollerball was prescient in its corporate allegory. We also touch on the fascinating real-world attempts to turn the fictional sport of Rollerball into a reality.
Here are a few other points in our discussion:
- The minimalist performance of a subdued James Caan – does it work?
- John Houseman as the chilling corporate overlord
- Appreciation for the practical stunt work (and that they recognized it in the credits!)
- How audiences often miss the point of satirical films
- The abysmal 2002 remake
In the end, we find Rollerball an imperfect but thought-provoking 1970s sci-fi film. Despite its uneven pacing, we have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
- Watch this on Apple or Amazon, or find other places at JustWatch
- Script Options
- Theatrical trailer
- Original Short Story Roller Ball Murder by William Harrison
- Letterboxd
