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Release Decade Archive

1970s

For all you proper film enthusiasts who would like to peruse the films of  TruStory FM’s entertainment podcasts by release decade. Get ready for a firehose of film history in these here stacks.

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Alice Doesn’t Live Here Anymore

Ellen Burstyn won her Oscar for Best Actress for her powerful turn as Alice Hyatt in Martin Scorsese’s 1974 film “Alice Doesn’t Live Here Anymore,” and it was clearly well-deserved. Always an actress in pursuit of roles as strong female characters, Burstyn took this film on after her huge success with “The Exorcist.” Join us — Pete Wright and Andy Nelson — as we start our Ellen Burstyn series with “Alice Doesn’t Live Here Anymore.”

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Close Encounters of the Third Kind

In 1977, Devil’s Tower went from being known as the first National Monument (for those who had actually heard of it) to the iconographic image marking the rendezvous point where the aliens want to meet the humans in Steven Spielberg’s third theatrical film, “Close Encounters of the Third Kind.” The release and success of the movie saw visits to the monument skyrocket, which shows the power in Spielberg’s film. Join us — Pete Wright and Andy Nelson — as we jump back into our Original SciFi series with this fantastic entry into the genre.

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Being There

Hal Ashby made a number of stand-out films in the 70s, films that looked at human nature in offbeat stories that didn’t feel like they came from a mold. When Peter Sellers presented him with the opportunity to direct an adaptation of Jerzy Kosinski’s novella “Being There” shortly after the book’s publication, he loved the idea and spent the next 9 years working to find the funding to get it made. The film was finally released in 1979 and was considered by many to be Peter Sellers’ return to greatness. Join us — Pete Wright and Andy Nelson — as we continue our Richard Dysart series with this fantastic film.

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The Day of the Locust

There have been a good number of films made about the film industry, but few have taken such a dark and surreal look at the Hollywood machine as John Schlesinger’s 1975 “The Day of the Locust” did. While it’s based on the Nathanael West book from 1939 and takes place at that time, it feels like a modern — or possibly even timeless — story of the business and the fringe-dwellers who want to be a part of its magic. Join us — Pete Wright and Andy Nelson — as we begin our Richard Dysart series with Schlesinger’s film.

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The Hospital

For his original script “The Hospital,” Paddy Chayefsky won his second Oscar and created an enemy for himself — the US’s medical institution which he was satirizing. But his script, while genius in many ways, veers off course into several strange directions that take the sting out of the satire. And that’s, perhaps, why the film isn’t talked about much these days. But it’s still worth watching and talking about! Join us — Pete Wright and Andy Nelson — as we happily talk about this wild Chayefsky ride and continue our series on this great American writer.

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Network

It’s easy for us on this show to talk at great length about Sidney Lumet’s 1976 film “Network” as it’s one of our all-time favorites. Both a scathing indictment of the TV industry and a reality check for people’s feelings about the times in which they were living, this film made an indelible mark on the world of film and created one of the most iconic movie lines ever. Join us — Pete Wright and Andy Nelson — as we not only finish our series of films from 1976 but also begin a short but deliciously sweet series of films written by the amazing Paddy Chayefsky.

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The Outlaw Josey Wales

For Clint Eastwood’s fifth directorial effort, he returned to one of the genres he’s most well-known for — the western — and created an absolute classic, The Outlaw Josey Wales. A western affected both by the revisionist movement within the genre that had been growing for nearly a decade as well as by the overall darker, more realistic tones exhibited in 70s cinema, this film took a lot of old elements from classic westerns and turned them on their heads: the Union soldiers are the bad guys, the outlaw is the hero, the Native Americans are not just real characters but actually integral to the story, and the final shootout takes an unexpected — and ultimately very gratifying — turn.

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Carrie

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us — Pete Wright and Andy Nelson — as we continue our 1976 series with

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Taxi Driver

We’re continuing our 1976 series with Martin Scorsese’s gritty film Taxi Driver, one of his greatest and arguably most talked about films.

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Marathon Man

In 1976, John Schlesinger made a film adaptation of William Goldman’s novel Marathon Man, and in the process, made everyone afraid to go back to their dentist. There are few things more horrifying than watching Laurence Olivier’s Nazi dentist drill into Dustin Hoffman’s teeth (the healthy ones because it’ll hurt more, naturally). Join us — Pete Wright and Andy Nelson — as we start a new series digging into great films from 1976, a great year for cinema, and we start it off with Marathon Man.

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