For all you proper film enthusiasts who would like to peruse the films of TruStory FM’s entertainment podcasts by release decade. Get ready for a firehose of film history in these here stacks.
Two carnivorous mermaid sisters wash ashore in an alternate 1980s Poland in The Lure. Pete and Andy continue Horror Debuts with Agnieszka Smoczyńska’s genre-bending musical horror debut.
During their seasons on Trailer Rewind JJ and Steve have seen a lot. Will they be the same when they come back from watching The Yellow Birds? Is the talented cast of Alden Ehrenreich, Tye Sheridan, Toni Collette, Jennifer Aniston, Jason Patric and Jack H
So many people love Jennifer Kent’s The Babadook, but does its grief metaphor go too far? Pete and Andy dig into its craft, its divisive reception, and its unlikely second life as an LGBTQ+ icon.
A lonesome vampire stalks a fictional Iranian ghost town on a skateboard in A Girl Walks Home Alone at Night. Pete and Andy continue Horror Debuts with Ana Lily Amirpour’s black-and-white debut.
John Cena and Aaron Taylor-Johnson are stuck at the wall, and together with Laith Nakli’s voice we have a film about relationships and the power of words — and weapons — to navigate war in The Wall.
Twin boys suspect the bandaged woman home from the hospital isn’t their mother in Goodnight Mommy. Pete and Andy continue Horror Debuts with this gorgeous, unsettling feature debut.
The Book of Henry is not the film any of us expected. This is a film that splits audiences – including JJ, Steve and Tommy. Is this film for you? Within the first 15 minutes of this episode you will know whether you will push play, or keep scrolling.
Joanna Hogg’s 2019 film The Souvenir is based on her own experiences as a student filmmaker in the 1980s. This leads JJ and Steve to again ponder the question of whether such a personal story can be fully accessible to an audience. They are sharply divide
JJ and Steve travel back to 1995. That time when landlines were ubiquitous and had yet surrendered to the internet, cell phones and texting. Although Landline is from 2017, it feels like a close relative to the mid-90s indie film scene that was bursting o
Tommy joins JJ and Steve in a discussion of The Endless, the story of two brothers that have escaped from a weird death cult. Is it a cult, or just a commune of people that like being off the grid? Is this a horror film or a sci-fi film? Can it be both?