Mandy watches her first two episodes of Mystery Science Theater 3000 with Krissy Lenz and Kyle Olson, falls hard for a 1962 caveman picture, and has notes for the Netflix era.
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Mandy avoids anything with aliens, death, or unanswered questions, so of course JJ Jaeger handed her all three at once. It’s Arrival, and there may be a lump in her throat.
Mandy has never seen Psycho, which is a bit like admitting you’ve never heard of birds. Jesse Pfister — voice actor, day trader, owner of an alarmingly convincing prop knife — is here to fix that, one shadow-drenched Adam’s apple at a time.
A 1994 teen drama that aired against Friends, died after one season, and somehow described your entire inner life better than anything since. Mandy finally meets Angela Chase — and the leaning boy who ruined a generation.
A musical written during a writers strike, funded out of Joss Whedon’s own pocket, and starring a not-yet-evil Neil Patrick Harris — and somehow Mandy had never seen it. Kyle Olson and Krissy Lenz drag her into the Evil League of Evil, one unfinished song at a time.