The Prestige

May 25, 2013

Right after the amazing success of Batman Begins and right before the brilliance of The Dark Knight, Christopher Nolan switched gears completely and made a fascinating period piece about two rival magicians duking it out to be the best. The Prestige wasn’t the most popular film of his but certainly garnered its share of positive acclaim and audience draw. Join us — Pete Wright and Andy Nelson — as we begin the next series on The Next Reel: this time, a series about films that deal with magicians.

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Marty

May 17, 2013

After writing his teleplay for “Marty,” it wasn’t long before Hollywood asked Paddy Chayefsky to adapt his script for a feature film. And it’s a good thing he did too — he won his first Oscar for his screenplay. Join us — Pete Wright and Andy Nelson — as we finish our Paddy Chayefsky series with Delbert Mann’s 1955 film “Marty.”

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The Hospital

May 10, 2013

For his original script “The Hospital,” Paddy Chayefsky won his second Oscar and created an enemy for himself — the US’s medical institution which he was satirizing. But his script, while genius in many ways, veers off course into several strange directions that take the sting out of the satire. And that’s, perhaps, why the film isn’t talked about much these days. But it’s still worth watching and talking about! Join us — Pete Wright and Andy Nelson — as we happily talk about this wild Chayefsky ride and continue our series on this great American writer.

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Network

May 3, 2013

It’s easy for us on this show to talk at great length about Sidney Lumet’s 1976 film “Network” as it’s one of our all-time favorites. Both a scathing indictment of the TV industry and a reality check for people’s feelings about the times in which they were living, this film made an indelible mark on the world of film and created one of the most iconic movie lines ever. Join us — Pete Wright and Andy Nelson — as we not only finish our series of films from 1976 but also begin a short but deliciously sweet series of films written by the amazing Paddy Chayefsky.

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The Outlaw Josey Wales

April 27, 2013

For Clint Eastwood’s fifth directorial effort, he returned to one of the genres he’s most well-known for — the western — and created an absolute classic, The Outlaw Josey Wales. A western affected both by the revisionist movement within the genre that had been growing for nearly a decade as well as by the overall darker, more realistic tones exhibited in 70s cinema, this film took a lot of old elements from classic westerns and turned them on their heads: the Union soldiers are the bad guys, the outlaw is the hero, the Native Americans are not just real characters but actually integral to the story, and the final shootout takes an unexpected — and ultimately very gratifying — turn.

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Carrie

April 20, 2013

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us — Pete Wright and Andy Nelson — as we continue our 1976 series with Listen Now

Taxi Driver

April 12, 2013

We’re continuing our 1976 series with Martin Scorsese’s gritty film Taxi Driver, one of his greatest and arguably most talked about films.

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Marathon Man

April 5, 2013

In 1976, John Schlesinger made a film adaptation of William Goldman’s novel Marathon Man, and in the process, made everyone afraid to go back to their dentist. There are few things more horrifying than watching Laurence Olivier’s Nazi dentist drill into Dustin Hoffman’s teeth (the healthy ones because it’ll hurt more, naturally). Join us — Pete Wright and Andy Nelson — as we start a new series digging into great films from 1976, a great year for cinema, and we start it off with Marathon Man.

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Gattaca

March 29, 2013

We end our Original Science Fiction series with Andrew Niccol’s visionary 1997 film set not too far in the future, Gattaca. Join us — Pete Wright and Andy Nelson — as we delve into not just what makes this film great and unique, but also what ties the four films from this series together.

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Moon

March 22, 2013

Our original science fiction series continues with Duncan Jones’ fascinating film debut from 2009, Moon. Made for a low budget, this entry into the science fiction genre showed that you didn’t need a $100 million budget to tell a science fiction story that makes you think while also being a great story. Sure, it has its problems, but it’s easy to forgive when it’s as fascinating to watch as Moon is. Join us — Pete Wright and Andy Nelson — as we talk about it on this week’s episode of The Next Reel.

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