Grand Slam
We end our heist film series with what’s advertised as ‘Rififi in Rio’, a film that sets our criminals stealing $10 million in diamonds during the Carnaval parade in Rio de Janeiro. It’s Giuliano Montaldo’s 1967 film ‘Grand Slam.’
We end our heist film series with what’s advertised as ‘Rififi in Rio’, a film that sets our criminals stealing $10 million in diamonds during the Carnaval parade in Rio de Janeiro. It’s Giuliano Montaldo’s 1967 film ‘Grand Slam.’
When the movie ends, our conversation begins.
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We end our heist film series with what’s advertised as ‘Rififi in Rio’, a film that sets our criminals stealing $10 million in diamonds during the Carnaval parade in Rio de Janeiro. It’s Giuliano Montaldo’s 1967 film ‘Grand Slam.’
We continue our Roger Corman member bonus series with a look at the film he produced for first-time director Paul Bartel, a bloody comedy satire on politics, fandom, the media, and of course killer car races – it’s the 1975 film Death Race 2000.
We continue our heist films series with Vittorio de Sica’s move away from his neorealist films with a Neil Simon-written heist comedy starring Peter Sellers as a thief who poses as a film director to pull of a job – it’s the 1966 film “After the Fox.”